Metatheater and Modernity is the first book to link the concept of metatheater with those of baroque and neobaroque. It refines and probes these concepts through close analyses and comparisons of seventeenth- with twentieth-century plays. Authors discussed include Rotrou, Sartre, Kushner, Bernini, Shakespeare, Pirandello, Molière, Giraudoux.
Metatheater and Modernity is the first book to link the concept of metatheater with those of baroque and neobaroque. It refines and probes these concepts through close analyses and comparisons of seventeenth- with twentieth-century plays. Authors discussed include Rotrou, Sartre, Kushner, Bernini, Shakespeare, Pirandello, Molière, Giraudoux.
Mary Ann Frese Witt received her PhD in Comparative Literature from Harvard University and is now Professor Emerita at North Carolina State University.
Inhaltsangabe
Acknowledgments Introduction Chapter 1: From Saint Genesius to Saint Genet: Actors, Martyrs, and Metatheater Chapter 2: La Comédie des comédiens and the Defense of Theatrical Illusion Chapter 3: La commedia da fare: Baroque and Neobaroque Metatheater in Bernini and Pirandello Chapter 4: Hamlets and Meta-Hamlets: Shakespeare, Pirandello, Stoppard Chapter 5: Metatheater as Manifesto: The Impromptu Epilogue About the Author Bibliography
Acknowledgments Introduction Chapter 1: From Saint Genesius to Saint Genet: Actors, Martyrs, and Metatheater Chapter 2: La Comédie des comédiens and the Defense of Theatrical Illusion Chapter 3: La commedia da fare: Baroque and Neobaroque Metatheater in Bernini and Pirandello Chapter 4: Hamlets and Meta-Hamlets: Shakespeare, Pirandello, Stoppard Chapter 5: Metatheater as Manifesto: The Impromptu Epilogue About the Author Bibliography
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