This study is an interpretation of the choices the tragedians made in regard to certain forms of standardized variations in word order and prosody. Those choices were made in response to the competing demands of metrical constrain and the poets' sense of what was stylistically appropriate for tragic trimeters.
This study is an interpretation of the choices the tragedians made in regard to certain forms of standardized variations in word order and prosody. Those choices were made in response to the competing demands of metrical constrain and the poets' sense of what was stylistically appropriate for tragic trimeters.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nicholas Baechle is Assistant Professor in the Hanover College Classics Department.
Inhaltsangabe
Part 1 Treatment of Word Shapes in Composition and the Use of Prosodic Variation Chapter 2 Definition of Word Shapes Chapter 3 Metrical Lengthening of Short Final Vowels Chapter 4 Correptio Attica vs Metrical Lengthening Chapter 5 Synizesis Chapter 6 Elision and Lengthening of Words Shaped Part 7 The Use of Hyperbation in Composition and its Interpretation Chapter 8 Marked Forms of Word Order for Prepositional Phrases Chapter 9 Metrical and Prosodic Variations at Mid-Line Chapter 10 Hyperbata of the Form Modifier-Verb-Noun or the Reverse Chapter 11 Distribution of Word Shapes
Part 1 Treatment of Word Shapes in Composition and the Use of Prosodic Variation Chapter 2 Definition of Word Shapes Chapter 3 Metrical Lengthening of Short Final Vowels Chapter 4 Correptio Attica vs Metrical Lengthening Chapter 5 Synizesis Chapter 6 Elision and Lengthening of Words Shaped Part 7 The Use of Hyperbation in Composition and its Interpretation Chapter 8 Marked Forms of Word Order for Prepositional Phrases Chapter 9 Metrical and Prosodic Variations at Mid-Line Chapter 10 Hyperbata of the Form Modifier-Verb-Noun or the Reverse Chapter 11 Distribution of Word Shapes
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