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One of the main driving forces of this work is based on the confidence I have in the theater as a means of denunciation to promote profound social changes. The current living conditions in Mexico for a significant percentage of the population are deeply hurtful and unworthy. The actions imposed by the upper political echelons are becoming more and more procarious and detrimental, and yet the machinery does not stop, gradually heading for the cliff.Governed by an oligarchic class that accesses to high positions only to continue increasing its power and capital, and induced (in a forced and aggressive way) to oblivion through a media that is in charge of communicating only what serves to maintain the status quo, Mexico is a country where an alternative and very useful means to promote resistance is precisely the aforementioned form of theater.