Russian theater director Vsevolod Meyerhold designed Biomechanics, a system of actor training, shortly after the Russian Revolution. Gathered from private Moscow archives, this is the first book-length study of Meyerhold's stylised training method in practical detail, as well as Eisenstein's theoretical analysis of Biomechanics.
Russian theater director Vsevolod Meyerhold designed Biomechanics, a system of actor training, shortly after the Russian Revolution. Gathered from private Moscow archives, this is the first book-length study of Meyerhold's stylised training method in practical detail, as well as Eisenstein's theoretical analysis of Biomechanics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
The late Alma Law was coeditor of Slavic and East European Theater. The late Mel Gordon was a former professor of dramatic art at the University of California at Berkeley.
Inhaltsangabe
Table of Contents Acknowledgments Introduction Part I. Meyerhold and Eisenstein 1. Meyerhold: From Actor to Revolutionary Director 2. Meyerhold: From Biomechanics to the Triumph of Socialist Realism 3. Eisenstein: From Engineer to Revolutionary Filmmaker Part II. Biomechanics 4. Introduction 5. Biomechanical Exercises 6. Description of the Exercises 7. Program of Studies Part III. Documents 8. Meyerhold on Biomechanics Biomechanics of Vsevolod Meyerhold by M. Korenev The Biomechanical Laboratory by M. Korenev Principles of Biomechanics by M. Korenev Meyerhold Demonstrates a Biomechanical Exercise by Erast Garin The Actor of the Future and Biomechanicr by V.-Es. Biomechanics According to Meyerhold by Ippolit Sokolov Taylorism on the Stage by Arkady Pozdnev Project: Profile of the Actor Graduating from the Meyerhold State Theatre School Promptbook for "The Magnanimous Cuckhold" 9. Eisenstein on Biomechanics and Expressive Movement Notes on Biomechanics by Sergei Eisenstein Principles of Movement in Our Theatre by Sergei Eisenstein What Is a "Raccourci" and What Is a Pose? by Sergei Eisenstein At Rehearsals of "The Wiseman" by Aleksandr Levshin Expressive Movement by Sergei Eisenstein and Sergei Tretyakov On Recoil Movement by Sergei Eisenstein Lecture on Biomechanics, March 29, 1935, by Sergei Eisenstein 10. International Accounts of Biomechanics An Interview with Meyerhold at the Theatre of the Revolution by Lancelot Lawton How Meyerhold Trains his Actors by John Martin Biomechanics in Meyerhold's Theatre by André Van Gyseghem Notes on Biomechanics by Lee Strasberg Notes on Eisenstein's Lectures, 1934, by Marie Seton A Biomechanical Session by Harold Clurman Part IV. Appendices Glossary of Biomechanical Terminology Notes Selected Bibliography Index
Table of Contents Acknowledgments Introduction Part I. Meyerhold and Eisenstein 1. Meyerhold: From Actor to Revolutionary Director 2. Meyerhold: From Biomechanics to the Triumph of Socialist Realism 3. Eisenstein: From Engineer to Revolutionary Filmmaker Part II. Biomechanics 4. Introduction 5. Biomechanical Exercises 6. Description of the Exercises 7. Program of Studies Part III. Documents 8. Meyerhold on Biomechanics Biomechanics of Vsevolod Meyerhold by M. Korenev The Biomechanical Laboratory by M. Korenev Principles of Biomechanics by M. Korenev Meyerhold Demonstrates a Biomechanical Exercise by Erast Garin The Actor of the Future and Biomechanicr by V.-Es. Biomechanics According to Meyerhold by Ippolit Sokolov Taylorism on the Stage by Arkady Pozdnev Project: Profile of the Actor Graduating from the Meyerhold State Theatre School Promptbook for "The Magnanimous Cuckhold" 9. Eisenstein on Biomechanics and Expressive Movement Notes on Biomechanics by Sergei Eisenstein Principles of Movement in Our Theatre by Sergei Eisenstein What Is a "Raccourci" and What Is a Pose? by Sergei Eisenstein At Rehearsals of "The Wiseman" by Aleksandr Levshin Expressive Movement by Sergei Eisenstein and Sergei Tretyakov On Recoil Movement by Sergei Eisenstein Lecture on Biomechanics, March 29, 1935, by Sergei Eisenstein 10. International Accounts of Biomechanics An Interview with Meyerhold at the Theatre of the Revolution by Lancelot Lawton How Meyerhold Trains his Actors by John Martin Biomechanics in Meyerhold's Theatre by André Van Gyseghem Notes on Biomechanics by Lee Strasberg Notes on Eisenstein's Lectures, 1934, by Marie Seton A Biomechanical Session by Harold Clurman Part IV. Appendices Glossary of Biomechanical Terminology Notes Selected Bibliography Index
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