This book brings together philosophers, literary theorists, and art historians to argue for the philosophical significance of Michael Fried's art history and criticism. Fried's analyses of absorption and theatricality throw new light on problems in aesthetics, as well as questions surrounding authenticity, scepticism, modernity, and politics.
This book brings together philosophers, literary theorists, and art historians to argue for the philosophical significance of Michael Fried's art history and criticism. Fried's analyses of absorption and theatricality throw new light on problems in aesthetics, as well as questions surrounding authenticity, scepticism, modernity, and politics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mathew Abbott is Lecturer in Philosophy at Federation University Australia. Drawing on modern European and post-Wittgensteinian thought, his research is concerned with intersections of aesthetics, politics, and ethics. He is the author of Abbas Kiarostami and Film-Philosophy and The Figure of This World: Agamben and the Question of Political Ontology.
Inhaltsangabe
Introduction: Michael Fried and Philosophy Mathew Abbott 1. Modernism and the Discovery of Finitude Mathew Abbott 2. "When I raise my arm": Michael Fried's Theory of Action Walter Benn Michaels 3. Why Does Photography Matter as Art Now, as Never Before? On Fried and Intention Robert Pippin 4. Schiller, Schopenhauer, Fried David Wellbery 5. Deep Relationality and the Hinge-like Structure of History: Michael Fried's Photographs Stephen Mulhall 6. Becoming Medium Stephen Melville 7. Formulism and the Appearance of Nature Richard Moran 8. Michael Fried, Theatricality, and the Threat of Skepticism Paul J. Gudel 9. Michael Fried's Intentionality Rex Butler 10. On the (So-Called) Problem of Detail: Michael Fried, Roland Barthes, and Roger Scruton on Photography and Intentionality Diarmuid Costello 11. The Aesthetics of Absorbtion Magdalena Ostas 12. Grace and Equality, Fried and Rancière (and Kant) Knox Peden 13. Diderot's Conception of Aesthetic Subjectivity and the Possibility of Art Andrew Kern 14. The Promise of the Present: Michael Fried's Poetry Now Jennifer Ashton 15. Constantin Constantius Goes to the Theater Michael Fried
Introduction: Michael Fried and Philosophy Mathew Abbott 1. Modernism and the Discovery of Finitude Mathew Abbott 2. "When I raise my arm": Michael Fried's Theory of Action Walter Benn Michaels 3. Why Does Photography Matter as Art Now, as Never Before? On Fried and Intention Robert Pippin 4. Schiller, Schopenhauer, Fried David Wellbery 5. Deep Relationality and the Hinge-like Structure of History: Michael Fried's Photographs Stephen Mulhall 6. Becoming Medium Stephen Melville 7. Formulism and the Appearance of Nature Richard Moran 8. Michael Fried, Theatricality, and the Threat of Skepticism Paul J. Gudel 9. Michael Fried's Intentionality Rex Butler 10. On the (So-Called) Problem of Detail: Michael Fried, Roland Barthes, and Roger Scruton on Photography and Intentionality Diarmuid Costello 11. The Aesthetics of Absorbtion Magdalena Ostas 12. Grace and Equality, Fried and Rancière (and Kant) Knox Peden 13. Diderot's Conception of Aesthetic Subjectivity and the Possibility of Art Andrew Kern 14. The Promise of the Present: Michael Fried's Poetry Now Jennifer Ashton 15. Constantin Constantius Goes to the Theater Michael Fried
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