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Most of the scholarly literature on the cinema of Michelangelo Antonioni focuses on the director's distinctive film style. Many studies mention his relationship to various modern art movements and the thematic ambiguity of his work, but few position Antonioni's later films in their modernist context and within the contemporary phenomenon of ambiguity. This study attempts to situate Antonioni within the larger, contextualizing discourse of modernism and its "problematics of language".

Produktbeschreibung
Most of the scholarly literature on the cinema of Michelangelo Antonioni focuses on the director's distinctive film style. Many studies mention his relationship to various modern art movements and the thematic ambiguity of his work, but few position Antonioni's later films in their modernist context and within the contemporary phenomenon of ambiguity. This study attempts to situate Antonioni within the larger, contextualizing discourse of modernism and its "problematics of language".
Autorenporträt
Frank P. Tomasulo, Ph.D., is een Certified Core Professor of Graduate Film Studies voor de Nationale Universiteit, waar hij regelmatig online seminars geeft over verschillende aspecten van de filmgeschiedenis. In de afgelopen jaren heeft hij film- en televisiestudies gegeven aan Hunter College; Pace University; Sarah Lawrence College; en CCNY.