This book presents new archival sources, suggests new interpretations of the David, and connects the statue to contemporary historical events in Florence.
This book presents new archival sources, suggests new interpretations of the David, and connects the statue to contemporary historical events in Florence.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John T. Paoletti is Professor of the History of Art, Emeritus, and the William R. Kenan Professor of the Humanities, Emeritus, at Wesleyan University. He taught the history of Italian Renaissance art and of the art of the twentieth century from 1972 to 2009. He received Wesleyan's Binswanger Prize for Excellence in Teaching and the College Art Association's Distinguished Teaching of Art History Award. He has been a Fellow at the School of Historical Studies, the Institute of Advanced Study, Princeton, and a visiting professor at the Villa I Tatti. From 1996 to 2000, he was the editor-in-chief of The Art Bulletin. He is co-author, with Gary Radke, of Art in Renaissance Italy, now in its fourth edition. He is co-editor, with Roger Crum, of Renaissance Florence: A Social History (Cambridge University Press, 2006).
Inhaltsangabe
1. The commission and history of the David 2. David, narrative ambiguity, and the competition with antiquity 3. The David and sculpture at the cathedral 4. David and the symbols of the state at the Palazzo della Signoria 5. Naked men in piazza Appendix I: documents for Michelangelo's David and its predecessors Appendix II: report of the commission to advise on the placement of the David.
1. The commission and history of the David 2. David, narrative ambiguity, and the competition with antiquity 3. The David and sculpture at the cathedral 4. David and the symbols of the state at the Palazzo della Signoria 5. Naked men in piazza Appendix I: documents for Michelangelo's David and its predecessors Appendix II: report of the commission to advise on the placement of the David.
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