John Corbett is a music critic, record producer, and curator. He is the author of Extended Play: Sounding Off from John Cage to Dr. Funkenstein, also published by Duke University Press. His writing has appeared in Downbeat, The Wire, the Chicago Reader, and numerous other publications.¿ He is the co-owner of Corbett vs. Dempsey, an art gallery in Chicago.
John Corbett is a music critic, record producer, and curator. He is the author of Extended Play: Sounding Off from John Cage to Dr. Funkenstein, also published by Duke University Press. His writing has appeared in Downbeat, The Wire, the Chicago Reader, and numerous other publications.¿ He is the co-owner of Corbett vs. Dempsey, an art gallery in Chicago.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface: Tympanum of the Other Frog xv Acknowledgments xix Introduction 1 One. On The Road, Into The Cul-De-Sac Joe Harriott and Bernie McGann: Flying without Ornette 15 Michael Hurley: Jocko's Lament 21 Mayo Thompson: Genre of One 33 John Stevens: Unpopular Populists 36 Peter Brötzmann Tentet: Freeways 40 Steve Lacy: Sojourner Saxophone 49 David Grubbs: Postcards from the Edge 57 Voice Crack: From Nothing to Everything 67 Two. Exigeneses Of Creative Music Milford Graves: Pulseology 71 Out of Nowhere: Deleuze, Gräwe, Cadence 79 Carla Bley and Steve Swallow: Feeding Quarters to the Nonstop Mental Jukebox 85 Misha Mengelberg: No Simple Calculations for Life 93 Misha Mengelberg and Han Bennink: Natural Inbuilt Contrapuncto 109 Form Follows Faction? Ethnicity and Creative Music 116 Anthony Braxton: Ism vs. Is 123 Anthony Braxton: Bildungsmusik—Thoughts on Composition 171 129 Paul Lowens: Lo Our Lo 132 Clark Coolidge: The Improvised Line 136 Nathaniel Mackey: Steep Incumbencies 142 Sun Ra: From the Windy City to the Omniverse—Chicago Life as a Street Priest of D.I.Y. Jazz 153 Fred Anderson: The House That Fred Built 162 Three. Ululations And Other Vocal Stimulants Sun Ra: Queer Voice 169 Jaap Blonk: Uncommon Tongue 170 PJ Harvey: Mother's Tongue 179 Aural Sex: The Female Orgasm in Popular Sound (coauthored with Terri Kapsalis) 182 Liz Phair and Lou Barlow: On Music, Sex, TV, and Beyond 194 Liz Phair and Kim Gordon: Exile in Galville? 205 Koko Taylor: The Blue Queen Cooks 212 Brion Gysin and Steve Lacy: Nothing Is True, Everything Is Permuted 217 Four. The Horn Section Ornette Coleman: Doing Is Believing 233 Roscoe Mitchell: Citizen of Sound 244 Fred Anderson and Von Freeman: Tenacity 250 George Lewis: Interactive Imagination 258 Mats Gustafsson: MG at Half-C 264 Ken Vandermark: Six Dispatches from the Memory Bank 270 Ken Vandermark and Joe McPhee: Mutual Admiration Society 278 Peter Brötzmann and Evan Parker: Bring Something to the Table 285 Five. Track Marks Oncology of the Record Album 297 Discaholic or Vinyl Freak? Mats Gustafsson Interrogates John Corbett 301 Twenty-Seven Enthusiasms: A Spontaneous Listening Session 308 A Very Visual Kind of Music: The Cartoon Soundtrack beyond the Screen 313 R. L. Burnside and Jon Spencer: Fattening Frogs for Snake Drive 322 Before and After Punk: The Comp as Teaching Tool 331 Raymond Scott: Cradle of Electronica 336 Six. Melodic Line and Tone Color Peter Brötzmann: Graphic Equalizer 343 Albert Oehlen: Bionic Painting 347 Albert Oehlen: Mangy—A Conversation and a Playlist 352 Christopher Wool: Impropositions—Improvisation, Dub Painting 359 Christopher Wool: Into the Woods—Six Meditations on the Interdisciplinary 366 Sun Ra: An Afro-Space-Jazz Imaginary—The Printed Record of El Saturn 371 Seven. The Texture Of Refusal Helmut Lachenmann: Hellhörig, or the Intricacies of Perceptiveness 379 Guillermo Gregorio: Madi Music 387 Experimental Oriental: New Music and Other Others 391 Afterword: A Concise History of Music 417 Grooving On: Selected Listening 423 Credits 443 Index 447
Preface: Tympanum of the Other Frog xv Acknowledgments xix Introduction 1 One. On The Road, Into The Cul-De-Sac Joe Harriott and Bernie McGann: Flying without Ornette 15 Michael Hurley: Jocko's Lament 21 Mayo Thompson: Genre of One 33 John Stevens: Unpopular Populists 36 Peter Brötzmann Tentet: Freeways 40 Steve Lacy: Sojourner Saxophone 49 David Grubbs: Postcards from the Edge 57 Voice Crack: From Nothing to Everything 67 Two. Exigeneses Of Creative Music Milford Graves: Pulseology 71 Out of Nowhere: Deleuze, Gräwe, Cadence 79 Carla Bley and Steve Swallow: Feeding Quarters to the Nonstop Mental Jukebox 85 Misha Mengelberg: No Simple Calculations for Life 93 Misha Mengelberg and Han Bennink: Natural Inbuilt Contrapuncto 109 Form Follows Faction? Ethnicity and Creative Music 116 Anthony Braxton: Ism vs. Is 123 Anthony Braxton: Bildungsmusik—Thoughts on Composition 171 129 Paul Lowens: Lo Our Lo 132 Clark Coolidge: The Improvised Line 136 Nathaniel Mackey: Steep Incumbencies 142 Sun Ra: From the Windy City to the Omniverse—Chicago Life as a Street Priest of D.I.Y. Jazz 153 Fred Anderson: The House That Fred Built 162 Three. Ululations And Other Vocal Stimulants Sun Ra: Queer Voice 169 Jaap Blonk: Uncommon Tongue 170 PJ Harvey: Mother's Tongue 179 Aural Sex: The Female Orgasm in Popular Sound (coauthored with Terri Kapsalis) 182 Liz Phair and Lou Barlow: On Music, Sex, TV, and Beyond 194 Liz Phair and Kim Gordon: Exile in Galville? 205 Koko Taylor: The Blue Queen Cooks 212 Brion Gysin and Steve Lacy: Nothing Is True, Everything Is Permuted 217 Four. The Horn Section Ornette Coleman: Doing Is Believing 233 Roscoe Mitchell: Citizen of Sound 244 Fred Anderson and Von Freeman: Tenacity 250 George Lewis: Interactive Imagination 258 Mats Gustafsson: MG at Half-C 264 Ken Vandermark: Six Dispatches from the Memory Bank 270 Ken Vandermark and Joe McPhee: Mutual Admiration Society 278 Peter Brötzmann and Evan Parker: Bring Something to the Table 285 Five. Track Marks Oncology of the Record Album 297 Discaholic or Vinyl Freak? Mats Gustafsson Interrogates John Corbett 301 Twenty-Seven Enthusiasms: A Spontaneous Listening Session 308 A Very Visual Kind of Music: The Cartoon Soundtrack beyond the Screen 313 R. L. Burnside and Jon Spencer: Fattening Frogs for Snake Drive 322 Before and After Punk: The Comp as Teaching Tool 331 Raymond Scott: Cradle of Electronica 336 Six. Melodic Line and Tone Color Peter Brötzmann: Graphic Equalizer 343 Albert Oehlen: Bionic Painting 347 Albert Oehlen: Mangy—A Conversation and a Playlist 352 Christopher Wool: Impropositions—Improvisation, Dub Painting 359 Christopher Wool: Into the Woods—Six Meditations on the Interdisciplinary 366 Sun Ra: An Afro-Space-Jazz Imaginary—The Printed Record of El Saturn 371 Seven. The Texture Of Refusal Helmut Lachenmann: Hellhörig, or the Intricacies of Perceptiveness 379 Guillermo Gregorio: Madi Music 387 Experimental Oriental: New Music and Other Others 391 Afterword: A Concise History of Music 417 Grooving On: Selected Listening 423 Credits 443 Index 447
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