Mid-Century Gothic offers a fresh perspective on the cultural moment that followed World War II, and discovers a deep sense of unease mingling with optimism about the future. By reassessing the novels, films, visual culture and technologies of the period, the book argues that gothicism itself was redefined by the upstart objects of modernity.
Mid-Century Gothic offers a fresh perspective on the cultural moment that followed World War II, and discovers a deep sense of unease mingling with optimism about the future. By reassessing the novels, films, visual culture and technologies of the period, the book argues that gothicism itself was redefined by the upstart objects of modernity.
Lisa Mullen is a Junior Research Fellow at Worcester College, University of Oxford
Inhaltsangabe
Introduction: 'The world of things': an introduction to mid-century gothic Part I: Agency 1 Rubble, walls and murals: abstraction and materiality 2 Seeing things: found objects and the eye of the beholder 3 Machines and spectrality: the gothic potential of technology Part II: Intimacy 4 Neophilia and nostalgia: the trouble with gentrification 5 Strange beauty: Costume, performance and power in the New Elizabethan age 6 Bombs, Prosthetics and Madness: Incorporating the Intimacy of Things Conclusion: Beyond the mid-century
Introduction: 'The world of things': an introduction to mid-century gothic Part I: Agency 1 Rubble, walls and murals: abstraction and materiality 2 Seeing things: found objects and the eye of the beholder 3 Machines and spectrality: the gothic potential of technology Part II: Intimacy 4 Neophilia and nostalgia: the trouble with gentrification 5 Strange beauty: Costume, performance and power in the New Elizabethan age 6 Bombs, Prosthetics and Madness: Incorporating the Intimacy of Things Conclusion: Beyond the mid-century
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