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With sure and subtle touch, Eliot paints a luminous and spacious landscape of life in a provincial town, interweaving her themes with a proliferation of characters: an innocent idealist; a self-defeated young doctor; a naive young woman; and a cold man, who "lives too much with the dead".
One of the most accomplished and prominent novels of the Victorian era, Middlemarch is an unsurpassed portrait of nineteenth-century English provincial life. Dorothea Brooke is a young woman of fervent ideals who yearns to effect social change yet faces resistance from the society she inhabits. In this…mehr

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Produktbeschreibung
With sure and subtle touch, Eliot paints a luminous and spacious landscape of life in a provincial town, interweaving her themes with a proliferation of characters: an innocent idealist; a self-defeated young doctor; a naive young woman; and a cold man, who "lives too much with the dead".
One of the most accomplished and prominent novels of the Victorian era, Middlemarch is an unsurpassed portrait of nineteenth-century English provincial life. Dorothea Brooke is a young woman of fervent ideals who yearns to effect social change yet faces resistance from the society she inhabits. In this epic in a small landscape, Eliot's large cast of precisely delineated characters and the rich tapestry of their stories result in a wise, compassionate, and astute vision of human nature. As Virginia Woolf declared, George Eliot "was one of the first English novelists to discover that men and women think as well as feel, and the discovery was of great artistic moment." Introduction by E. S. Shaffer (Book Jacket Status: Not Jacketed)
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Autorenporträt
MARY ANN EVANS was born on November 22, 1819, at Chilvers Coton, Warwickshire, England. After her father’s death she settled in London and from 1851 to 1854 she served as a writer and editor of the Westminster Review, the organ of the Radical party. In London she met she met George Henry Lewes, a journalist and advanced thinker. Lewes was separated from his wife, who had had two sons by another man, but had been unable to obtain a divorce. In a step daring for Victorian times, Mary Ann Evans began living openly with Lewes in 1854, in a union they both considered as sacred as a legal marriage and one that lasted until his death in 1878. With Lewes’s encouragement, Mary Ann Evans wrote her first fictional work, “The Sad Fortunes of the Reverend Amos Barton,” for Blackwood’s Magazine in 1857; it was followed by two more stories published under the pseudonym George Elliot—“George” because it was Lewes’s name and “Eliot” because, she said, it was “a good mouth-filling, easily pronounced word.” At the age of thirty-nine she used her memories of Warwickshire to write her first long novel, Adam Bede (1859), a book that established her as the foremost woman novelist in her day. Then came The Mill on the Floss (1860), Silas Marner (1861), and Romola (1863). Her masterpiece and one of the greatest English novels, Middlemarch, was published in 1871–72. Her last work was Daniel Deronda (1876). Before her death in 1880, she had been recognized by her contemporaries as the greatest living writer of English fiction.
Rezensionen

Frankfurter Allgemeine Zeitung - Rezension
Frankfurter Allgemeine Zeitung | Besprechung von 28.11.2019

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WARUM JETZT DAS?

Weil es dieser Tage 200 Jahre her ist, dass George Eliot zur Welt kam. Die Autorin, die eigentlich Mary Ann Evans hieß, war als junge Frau tief religiös, später Atheistin, lebte lange unverheiratet mit einem jüngeren Mann zusammen und genoss als Schriftstellerin und Denkerin trotzdem großes Ansehen in der viktorianischen Gesellschaft. Schon das ist interessant.

UND "MIDDLEMARCH" ERST RECHT?

So ist es. Eine Kleinstadt um 1830, kurz vor sozialen und voller privater Umbrüche. Satire, Realismus, Zartheit, Humor, alles drin, von Glück bis Unglück, halb Jane Austen, halb Tolstoi. Virginia Woolf nannte das Buch den einzigen englischen Roman für Erwachsene. Ein Muss. (balk.)

George Eliot, "Middlemarch", Rowohlt Verlag, Hamburg 2019, 1264 S., geb., 40 Euro.

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