Middlemarch - Eliot, George
45,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 1-2 Wochen
payback
23 °P sammeln
  • Broschiertes Buch

The most ambitious narrative of nineteenth-century realism, Middlemarch tells the story of an entire town in the years leading up to the Reform Bill of 1832, a time when modern methods were starting to challenge old orthodoxies.Set in a fictitious English Midlands town from 1829 to 1832,It follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Despite comic elements, Middlemarch uses realism to encompass historical events.

Andere Kunden interessierten sich auch für
Produktbeschreibung
The most ambitious narrative of nineteenth-century realism, Middlemarch tells the story of an entire town in the years leading up to the Reform Bill of 1832, a time when modern methods were starting to challenge old orthodoxies.Set in a fictitious English Midlands town from 1829 to 1832,It follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Despite comic elements, Middlemarch uses realism to encompass historical events.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively Mary Ann or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.