Offering the first extensive examination of the plays and television series written by award winning playwright Mike Bartlett, this volume provides analysis of some of Bartlett's best-known works, and includes new interviews with Bartlett and some of his closest and oft relied upon collaborators.
Offering the first extensive examination of the plays and television series written by award winning playwright Mike Bartlett, this volume provides analysis of some of Bartlett's best-known works, and includes new interviews with Bartlett and some of his closest and oft relied upon collaborators.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
William C. Boles is the Hugh F. and Jeannette G. McKean Chair of English at Rollins College, USA.
Inhaltsangabe
Acknowledgements PART I: Life, Career, Theories of Theatre 1 Mike Bartlett: An Introduction Biographical Information 2 Mike Bartlett: The Etch-a-Sketch Playwright The Audience The Language The Experience PART II: Key Plays 3 Institutional Expectations: Not Talking, My Child, and Cock Not Talking (2006): Societal Roles and Institutional Victimization My Child (2007): Morals or Money? Cock (2009): Challenging Definitions 4 Generational Crises: Earthquakes in London; Love, Love, Love; Albion; and Snowflake Earthquakes in London (2010): Weathering the Family Love, Love, Love (2010): Carrying That Familial Weight, a Long Time Albion (2017): Audrey's Influence Snowflake (2018): A Christmas Brexit Play 5 Bully for Business: The Bartlett Workplace - Contractions, Bull, Sticks and Stones, and Press Contractions (2008): Knowing the Employee's Business Bull (2013): Destroying the Employee Sticks and Stones (2019): The Bullying Will Now Be Televised Press (2018): Bully for the Fourth Estate 6 Doctor Medea: The Cultural Phenomenon - Medea, Doctor Foster, and Life Medea of the Suburbs Doctor Foster (2015): Re-Envisioning Medea Life (2020): A Revisiting PART III: Key Productions 7 Directing and Performing Bull (2013) 8 King Charles III: From Stage to Screen The Backstory Two Editing Choices: Language and Characters The Women of King Charles III: Kate, Diana, and Jess Coda: A King Is Crowned Appendix 1 A Conversation With Adam James Appendix 2 A Conversation With Victoria Hamilton Appendix 3 A Conversation With Rachael Stirling Appendix 4 A Conversation With Mike Bartlett Index
Acknowledgements PART I: Life, Career, Theories of Theatre 1 Mike Bartlett: An Introduction Biographical Information 2 Mike Bartlett: The Etch-a-Sketch Playwright The Audience The Language The Experience PART II: Key Plays 3 Institutional Expectations: Not Talking, My Child, and Cock Not Talking (2006): Societal Roles and Institutional Victimization My Child (2007): Morals or Money? Cock (2009): Challenging Definitions 4 Generational Crises: Earthquakes in London; Love, Love, Love; Albion; and Snowflake Earthquakes in London (2010): Weathering the Family Love, Love, Love (2010): Carrying That Familial Weight, a Long Time Albion (2017): Audrey's Influence Snowflake (2018): A Christmas Brexit Play 5 Bully for Business: The Bartlett Workplace - Contractions, Bull, Sticks and Stones, and Press Contractions (2008): Knowing the Employee's Business Bull (2013): Destroying the Employee Sticks and Stones (2019): The Bullying Will Now Be Televised Press (2018): Bully for the Fourth Estate 6 Doctor Medea: The Cultural Phenomenon - Medea, Doctor Foster, and Life Medea of the Suburbs Doctor Foster (2015): Re-Envisioning Medea Life (2020): A Revisiting PART III: Key Productions 7 Directing and Performing Bull (2013) 8 King Charles III: From Stage to Screen The Backstory Two Editing Choices: Language and Characters The Women of King Charles III: Kate, Diana, and Jess Coda: A King Is Crowned Appendix 1 A Conversation With Adam James Appendix 2 A Conversation With Victoria Hamilton Appendix 3 A Conversation With Rachael Stirling Appendix 4 A Conversation With Mike Bartlett Index
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