William C. Boles
Mike Bartlett
William C. Boles
Mike Bartlett
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Offering the first extensive examination of the plays and television series written by award winning playwright Mike Bartlett, this volume provides analysis of some of Bartlett's best-known works, and includes new interviews with Bartlett and some of his closest and oft relied upon collaborators.
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Offering the first extensive examination of the plays and television series written by award winning playwright Mike Bartlett, this volume provides analysis of some of Bartlett's best-known works, and includes new interviews with Bartlett and some of his closest and oft relied upon collaborators.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 198
- Erscheinungstermin: 3. Juni 2024
- Englisch
- Abmessung: 240mm x 161mm x 15mm
- Gewicht: 469g
- ISBN-13: 9781032191980
- ISBN-10: 1032191988
- Artikelnr.: 70291683
- Verlag: Routledge
- Seitenzahl: 198
- Erscheinungstermin: 3. Juni 2024
- Englisch
- Abmessung: 240mm x 161mm x 15mm
- Gewicht: 469g
- ISBN-13: 9781032191980
- ISBN-10: 1032191988
- Artikelnr.: 70291683
William C. Boles is the Hugh F. and Jeannette G. McKean Chair of English at Rollins College, USA.
Acknowledgements PART I: Life, Career, Theories of Theatre 1 Mike Bartlett:
An Introduction Biographical Information 2 Mike Bartlett: The Etch-a-Sketch
Playwright The Audience The Language The Experience PART II: Key Plays 3
Institutional Expectations: Not Talking, My Child, and Cock Not Talking
(2006): Societal Roles and Institutional Victimization My Child (2007):
Morals or Money? Cock (2009): Challenging Definitions 4 Generational
Crises: Earthquakes in London; Love, Love, Love; Albion; and Snowflake
Earthquakes in London (2010): Weathering the Family Love, Love, Love
(2010): Carrying That Familial Weight, a Long Time Albion (2017): Audrey's
Influence Snowflake (2018): A Christmas Brexit Play 5 Bully for Business:
The Bartlett Workplace - Contractions, Bull, Sticks and Stones, and Press
Contractions (2008): Knowing the Employee's Business Bull (2013):
Destroying the Employee Sticks and Stones (2019): The Bullying Will Now Be
Televised Press (2018): Bully for the Fourth Estate 6 Doctor Medea: The
Cultural Phenomenon - Medea, Doctor Foster, and Life Medea of the Suburbs
Doctor Foster (2015): Re-Envisioning Medea Life (2020): A Revisiting PART
III: Key Productions 7 Directing and Performing Bull (2013) 8 King Charles
III: From Stage to Screen The Backstory Two Editing Choices: Language and
Characters The Women of King Charles III: Kate, Diana, and Jess Coda: A
King Is Crowned Appendix 1 A Conversation With Adam James Appendix 2 A
Conversation With Victoria Hamilton Appendix 3 A Conversation With Rachael
Stirling Appendix 4 A Conversation With Mike Bartlett Index
An Introduction Biographical Information 2 Mike Bartlett: The Etch-a-Sketch
Playwright The Audience The Language The Experience PART II: Key Plays 3
Institutional Expectations: Not Talking, My Child, and Cock Not Talking
(2006): Societal Roles and Institutional Victimization My Child (2007):
Morals or Money? Cock (2009): Challenging Definitions 4 Generational
Crises: Earthquakes in London; Love, Love, Love; Albion; and Snowflake
Earthquakes in London (2010): Weathering the Family Love, Love, Love
(2010): Carrying That Familial Weight, a Long Time Albion (2017): Audrey's
Influence Snowflake (2018): A Christmas Brexit Play 5 Bully for Business:
The Bartlett Workplace - Contractions, Bull, Sticks and Stones, and Press
Contractions (2008): Knowing the Employee's Business Bull (2013):
Destroying the Employee Sticks and Stones (2019): The Bullying Will Now Be
Televised Press (2018): Bully for the Fourth Estate 6 Doctor Medea: The
Cultural Phenomenon - Medea, Doctor Foster, and Life Medea of the Suburbs
Doctor Foster (2015): Re-Envisioning Medea Life (2020): A Revisiting PART
III: Key Productions 7 Directing and Performing Bull (2013) 8 King Charles
III: From Stage to Screen The Backstory Two Editing Choices: Language and
Characters The Women of King Charles III: Kate, Diana, and Jess Coda: A
King Is Crowned Appendix 1 A Conversation With Adam James Appendix 2 A
Conversation With Victoria Hamilton Appendix 3 A Conversation With Rachael
Stirling Appendix 4 A Conversation With Mike Bartlett Index
Acknowledgements PART I: Life, Career, Theories of Theatre 1 Mike Bartlett: An Introduction Biographical Information 2 Mike Bartlett: The Etch-a-Sketch Playwright The Audience The Language The Experience PART II: Key Plays 3 Institutional Expectations: Not Talking, My Child, and Cock Not Talking (2006): Societal Roles and Institutional Victimization My Child (2007): Morals or Money? Cock (2009): Challenging Definitions 4 Generational Crises: Earthquakes in London; Love, Love, Love; Albion; and Snowflake Earthquakes in London (2010): Weathering the Family Love, Love, Love (2010): Carrying That Familial Weight, a Long Time Albion (2017): Audrey's Influence Snowflake (2018): A Christmas Brexit Play 5 Bully for Business: The Bartlett Workplace - Contractions, Bull, Sticks and Stones, and Press Contractions (2008): Knowing the Employee's Business Bull (2013): Destroying the Employee Sticks and Stones (2019): The Bullying Will Now Be Televised Press (2018): Bully for the Fourth Estate 6 Doctor Medea: The Cultural Phenomenon - Medea, Doctor Foster, and Life Medea of the Suburbs Doctor Foster (2015): Re-Envisioning Medea Life (2020): A Revisiting PART III: Key Productions 7 Directing and Performing Bull (2013) 8 King Charles III: From Stage to Screen The Backstory Two Editing Choices: Language and Characters The Women of King Charles III: Kate, Diana, and Jess Coda: A King Is Crowned Appendix 1 A Conversation With Adam James Appendix 2 A Conversation With Victoria Hamilton Appendix 3 A Conversation With Rachael Stirling Appendix 4 A Conversation With Mike Bartlett Index
Acknowledgements PART I: Life, Career, Theories of Theatre 1 Mike Bartlett:
An Introduction Biographical Information 2 Mike Bartlett: The Etch-a-Sketch
Playwright The Audience The Language The Experience PART II: Key Plays 3
Institutional Expectations: Not Talking, My Child, and Cock Not Talking
(2006): Societal Roles and Institutional Victimization My Child (2007):
Morals or Money? Cock (2009): Challenging Definitions 4 Generational
Crises: Earthquakes in London; Love, Love, Love; Albion; and Snowflake
Earthquakes in London (2010): Weathering the Family Love, Love, Love
(2010): Carrying That Familial Weight, a Long Time Albion (2017): Audrey's
Influence Snowflake (2018): A Christmas Brexit Play 5 Bully for Business:
The Bartlett Workplace - Contractions, Bull, Sticks and Stones, and Press
Contractions (2008): Knowing the Employee's Business Bull (2013):
Destroying the Employee Sticks and Stones (2019): The Bullying Will Now Be
Televised Press (2018): Bully for the Fourth Estate 6 Doctor Medea: The
Cultural Phenomenon - Medea, Doctor Foster, and Life Medea of the Suburbs
Doctor Foster (2015): Re-Envisioning Medea Life (2020): A Revisiting PART
III: Key Productions 7 Directing and Performing Bull (2013) 8 King Charles
III: From Stage to Screen The Backstory Two Editing Choices: Language and
Characters The Women of King Charles III: Kate, Diana, and Jess Coda: A
King Is Crowned Appendix 1 A Conversation With Adam James Appendix 2 A
Conversation With Victoria Hamilton Appendix 3 A Conversation With Rachael
Stirling Appendix 4 A Conversation With Mike Bartlett Index
An Introduction Biographical Information 2 Mike Bartlett: The Etch-a-Sketch
Playwright The Audience The Language The Experience PART II: Key Plays 3
Institutional Expectations: Not Talking, My Child, and Cock Not Talking
(2006): Societal Roles and Institutional Victimization My Child (2007):
Morals or Money? Cock (2009): Challenging Definitions 4 Generational
Crises: Earthquakes in London; Love, Love, Love; Albion; and Snowflake
Earthquakes in London (2010): Weathering the Family Love, Love, Love
(2010): Carrying That Familial Weight, a Long Time Albion (2017): Audrey's
Influence Snowflake (2018): A Christmas Brexit Play 5 Bully for Business:
The Bartlett Workplace - Contractions, Bull, Sticks and Stones, and Press
Contractions (2008): Knowing the Employee's Business Bull (2013):
Destroying the Employee Sticks and Stones (2019): The Bullying Will Now Be
Televised Press (2018): Bully for the Fourth Estate 6 Doctor Medea: The
Cultural Phenomenon - Medea, Doctor Foster, and Life Medea of the Suburbs
Doctor Foster (2015): Re-Envisioning Medea Life (2020): A Revisiting PART
III: Key Productions 7 Directing and Performing Bull (2013) 8 King Charles
III: From Stage to Screen The Backstory Two Editing Choices: Language and
Characters The Women of King Charles III: Kate, Diana, and Jess Coda: A
King Is Crowned Appendix 1 A Conversation With Adam James Appendix 2 A
Conversation With Victoria Hamilton Appendix 3 A Conversation With Rachael
Stirling Appendix 4 A Conversation With Mike Bartlett Index
Acknowledgements PART I: Life, Career, Theories of Theatre 1 Mike Bartlett: An Introduction Biographical Information 2 Mike Bartlett: The Etch-a-Sketch Playwright The Audience The Language The Experience PART II: Key Plays 3 Institutional Expectations: Not Talking, My Child, and Cock Not Talking (2006): Societal Roles and Institutional Victimization My Child (2007): Morals or Money? Cock (2009): Challenging Definitions 4 Generational Crises: Earthquakes in London; Love, Love, Love; Albion; and Snowflake Earthquakes in London (2010): Weathering the Family Love, Love, Love (2010): Carrying That Familial Weight, a Long Time Albion (2017): Audrey's Influence Snowflake (2018): A Christmas Brexit Play 5 Bully for Business: The Bartlett Workplace - Contractions, Bull, Sticks and Stones, and Press Contractions (2008): Knowing the Employee's Business Bull (2013): Destroying the Employee Sticks and Stones (2019): The Bullying Will Now Be Televised Press (2018): Bully for the Fourth Estate 6 Doctor Medea: The Cultural Phenomenon - Medea, Doctor Foster, and Life Medea of the Suburbs Doctor Foster (2015): Re-Envisioning Medea Life (2020): A Revisiting PART III: Key Productions 7 Directing and Performing Bull (2013) 8 King Charles III: From Stage to Screen The Backstory Two Editing Choices: Language and Characters The Women of King Charles III: Kate, Diana, and Jess Coda: A King Is Crowned Appendix 1 A Conversation With Adam James Appendix 2 A Conversation With Victoria Hamilton Appendix 3 A Conversation With Rachael Stirling Appendix 4 A Conversation With Mike Bartlett Index