Millennial Cervantes explores some of the most important new trends in Cervantes scholarship in the twenty-first century. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bruce R. Burningham is a professor of Hispanic studies and theater at Illinois State University. He is the author of Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage and Tilting Cervantes: Baroque Reflections on Postmodern Culture.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction Bruce R. Burningham Part 1. Cervantes in His Original Contexts 1. From Literary Painting to Marian Iconography: The Cult of Auristela in Cervantes’s Persiles y Sigismunda Mercedes Alcalá Galán 2. “Dios Me Entiende y No Digo Más”: Nominalism, Humanism, and Modernity in Don Quixote Rosilie Hernández 3. Obscene Onomastics and the Sheep-Army Episode of Don Quixote Sherry Velasco Part 2. Cervantes in Comparative Contexts 4. Befriending and Being Friends in Cervantes’s La Galatea (1585) and Sidney’s Arcadia (1593) Marsha S. Collins 5. Cervantine Curiosity and the English Stage Marina S. Brownlee 6. QuixoNation: Unfinished Adaptations of Don Quixote in Cold War U.S. Cinema William P. Childers Part 3. Cervantes in Wider Cultural Contexts 7. Don Quixote and the American Culinary Arts Carolyn A. Nadeau 8. Cervantes, Reality Literacy, and Fundamentalism David Castillo and William Egginton 9. Don Quixote and the Rise of Cyberorality Bruce R. Burningham Contributors Index
List of Illustrations Acknowledgments Introduction Bruce R. Burningham Part 1. Cervantes in His Original Contexts 1. From Literary Painting to Marian Iconography: The Cult of Auristela in Cervantes’s Persiles y Sigismunda Mercedes Alcalá Galán 2. “Dios Me Entiende y No Digo Más”: Nominalism, Humanism, and Modernity in Don Quixote Rosilie Hernández 3. Obscene Onomastics and the Sheep-Army Episode of Don Quixote Sherry Velasco Part 2. Cervantes in Comparative Contexts 4. Befriending and Being Friends in Cervantes’s La Galatea (1585) and Sidney’s Arcadia (1593) Marsha S. Collins 5. Cervantine Curiosity and the English Stage Marina S. Brownlee 6. QuixoNation: Unfinished Adaptations of Don Quixote in Cold War U.S. Cinema William P. Childers Part 3. Cervantes in Wider Cultural Contexts 7. Don Quixote and the American Culinary Arts Carolyn A. Nadeau 8. Cervantes, Reality Literacy, and Fundamentalism David Castillo and William Egginton 9. Don Quixote and the Rise of Cyberorality Bruce R. Burningham Contributors Index
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