Seth Herbst studies the relation between poetry and music in Milton and Shakespeare and later musical adaptations of their work. Herbst was trained in literature and music at Harvard, where he received an undergraduate degree in both disciplines and a PhD in early modern literature. Formerly a freelance music critic for The Boston Globe, Herbst is assistant professor of English at the United States Military Academy.
Inhaltsangabe
Acknowledgements Introduction Part I: Milton on Music 1 Music as Matter 2 "Pure Concent": Music as Sound and Metaphor Part II: Milton in Music 3 Handel's Cacophony: Samson, Noise, and the Right to Music 4 Making a Hell of Heaven and Earth: Music as Sound and Metaphor in Penderecki's Paradise Lost Conclusion Works Cited and Consulted Index
Acknowledgements Introduction Part I: Milton on Music 1 Music as Matter 2 "Pure Concent": Music as Sound and Metaphor Part II: Milton in Music 3 Handel's Cacophony: Samson, Noise, and the Right to Music 4 Making a Hell of Heaven and Earth: Music as Sound and Metaphor in Penderecki's Paradise Lost Conclusion Works Cited and Consulted Index
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