Milton in the Long Restoration
Herausgeber: Hoxby, Blair; Coiro, Ann Baynes
Milton in the Long Restoration
Herausgeber: Hoxby, Blair; Coiro, Ann Baynes
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A team of leading scholars explores Milton's relationship to his contemporaries and early eighteenth-century heirs. The essays collected here cover a range of topics from Milton's poetic style to political radicalism. Together, they argue that the early eighteenth century understood Milton, and the Long Restoration cannot be understood without him.
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A team of leading scholars explores Milton's relationship to his contemporaries and early eighteenth-century heirs. The essays collected here cover a range of topics from Milton's poetic style to political radicalism. Together, they argue that the early eighteenth century understood Milton, and the Long Restoration cannot be understood without him.
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Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 656
- Erscheinungstermin: 5. April 2021
- Englisch
- Abmessung: 236mm x 155mm x 41mm
- Gewicht: 1111g
- ISBN-13: 9780192895868
- ISBN-10: 0192895869
- Artikelnr.: 60745744
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Oxford University Press
- Seitenzahl: 656
- Erscheinungstermin: 5. April 2021
- Englisch
- Abmessung: 236mm x 155mm x 41mm
- Gewicht: 1111g
- ISBN-13: 9780192895868
- ISBN-10: 0192895869
- Artikelnr.: 60745744
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Blair Hoxby is Professor of English at Stanford University. After graduating with an A. B. from Harvard University, he studied at Oxford University as a Rhodes Scholar. He then earned his Ph.D. from Yale University. Before coming to Stanford, he was an Associate Professor of English at Yale and an Associate Professor of History and Literature at Harvard. He is the author of Mammon's Music: Literature and Economics in the Age of Milton; What Was Tragedy? Theory and the Early Modern Canon; and numerous articles on Milton, literary and cultural responses to nascent capitalism, early modern theater, and theories of tragedy. Ann Baynes Coiro is Professor of English at Rutgers University, New Brunswick. She is the author of a number of essays on a wide variety of topics, including Herrick, Jonson, Amelia Lanyer, the social connections of manuscript and print circulation, Stuart court culture, Cavalier poetry and the English revolution, and Restoration theatricality. In particular, she has published many essays on Milton's poetry. She will be the President of the Milton Society of America, 2016-17. Her first book was titled Robert Herrick's Hesperides and the Epigram Book Tradition. She has co-edited the recent Rethinking Historicism from Shakespeare to Milton (Cambridge).
* List of Figures
* Note on the Text and List of Abbreviations
* List of Contributors
* Introduction. Why Milton in the Long Restoration
* I. RECEPTION AND INTERPRETATION
* 1.: Denise Gigante: Milton's Spots: Addison on Paradise Lost
* 2.: David A. Harper: Critical Mass: Contextualizing Bentley's
Paradise Lost
* 3.: N. K. Sugimura: 'A Fine Paradisaical Notion': Materialism and
Readings of Paradise Lost in the 'Long Restoration'
* 4.: Blair Hoxby: 'In the Dun Air Sublime': Milton, the Richardsons,
and the Invention of Aesthetic Categories
* II. THE DRAMATIC AND THEATRICAL MILTON
* 5.: Ann Baynes Coiro: Milton's Essay of Dramatic Poesy: Samson
Agonistes,
* 6.: Catherine Gimelli Martin: John Dennis, John Locke, and the
Sublimation of Revolt: Samson Agonistes after the Glorious
Revolution,
* 7.: Blaine Greteman: 'To Secure Our Freedom': How A Mask Presented at
Ludlow-Castle Became Milton's Comus,
* 8.: Ruth Smith: Milton Modulated for Handel's Music,
* III. LINEAL DESCENTS AND CLANS
* 9.: Steven N. Zwicker: John Dryden Meets, Rhymes, and Says Farewell
to John Milton: A Restoration Drama in Four Scenes,
* 10.: Laura L. Knoppers: 'I Still Deny'd, Much Pleas'd to Hear You
Sue': Milton's Eve, Ovid, and the Restoration Coquette,
* 11.: Dustin D. Stewart: Angel Bodies to Whig Souls: Blank Verse after
Blenheim,
* 12.: Christopher R. Miller: Yet Once More: Milton's Lyric
Descendants,
* 13.: Sophie Gee: Milton's Pope,
* IV. CONDITIONS OF LIBERTY
* 14.: Gregory Chaplin: The Circling Hours: Revolution in Paradise
Regained,
* 15.: Martin Dzelzainis: 'In Power of Others, Never in My Own': The
Meaning of Slavery in Samson Agonistes,
* 16.: Nicholas von Maltzahn: Milton and the Restoration Literae,
* 17.: Stephen M. Fallon: Milton, Newton, and the Implications of
Arianism,
* 18.: Mary Nyquist: Friday as Fit Help,
* V. WIDER WORLDS
* 19.: Sharon Achinstein: Early Modern Marriage in a Secular Age:
Beyond the Sexual Contract,
* 20.: Nigel Smith: Haak's Milton,
* 21.: Jason Peacey: Miltonic Texts and European Politics, 1674-1682,
* 22.: Anne-Julia Zwierlein: Purging the Visual Nerve: Exploration,
'Revelation', and Cosmography in Milton Commentaries and Criticism of
the Long Restoration,
* 23.: Steven Pincus: Some Thoughts on Periodization: John Milton to
Adam Smith and Beyond,
* VI. EPIC, MOCK EPIC, AND THE NOVEL
* 24.: John Leonard: Milton, the Long Restoration, and Pope's Iliad,
* 25.: Anthony Welch: Paradise Lost and English Mock Heroic,
* 26.: Joanna Picciotto: Milton and the People,
* 27.: Michael McKeon: Paradise Lost in the Long Restoration,
1660-1742: The Parody of Form,
* 28.: Paul Stevens: Raphael's Condescension: Paradise Lost, Jane
Austen, and the Secular Displacement of Grace,
* VII. MILTON'S LIVES
* 29.: Jayne Lewis: 'His Ears Now Were Eyes to Him': The Lives of
Milton in the Long Restoration,
* Bibliography
* Note on the Text and List of Abbreviations
* List of Contributors
* Introduction. Why Milton in the Long Restoration
* I. RECEPTION AND INTERPRETATION
* 1.: Denise Gigante: Milton's Spots: Addison on Paradise Lost
* 2.: David A. Harper: Critical Mass: Contextualizing Bentley's
Paradise Lost
* 3.: N. K. Sugimura: 'A Fine Paradisaical Notion': Materialism and
Readings of Paradise Lost in the 'Long Restoration'
* 4.: Blair Hoxby: 'In the Dun Air Sublime': Milton, the Richardsons,
and the Invention of Aesthetic Categories
* II. THE DRAMATIC AND THEATRICAL MILTON
* 5.: Ann Baynes Coiro: Milton's Essay of Dramatic Poesy: Samson
Agonistes,
* 6.: Catherine Gimelli Martin: John Dennis, John Locke, and the
Sublimation of Revolt: Samson Agonistes after the Glorious
Revolution,
* 7.: Blaine Greteman: 'To Secure Our Freedom': How A Mask Presented at
Ludlow-Castle Became Milton's Comus,
* 8.: Ruth Smith: Milton Modulated for Handel's Music,
* III. LINEAL DESCENTS AND CLANS
* 9.: Steven N. Zwicker: John Dryden Meets, Rhymes, and Says Farewell
to John Milton: A Restoration Drama in Four Scenes,
* 10.: Laura L. Knoppers: 'I Still Deny'd, Much Pleas'd to Hear You
Sue': Milton's Eve, Ovid, and the Restoration Coquette,
* 11.: Dustin D. Stewart: Angel Bodies to Whig Souls: Blank Verse after
Blenheim,
* 12.: Christopher R. Miller: Yet Once More: Milton's Lyric
Descendants,
* 13.: Sophie Gee: Milton's Pope,
* IV. CONDITIONS OF LIBERTY
* 14.: Gregory Chaplin: The Circling Hours: Revolution in Paradise
Regained,
* 15.: Martin Dzelzainis: 'In Power of Others, Never in My Own': The
Meaning of Slavery in Samson Agonistes,
* 16.: Nicholas von Maltzahn: Milton and the Restoration Literae,
* 17.: Stephen M. Fallon: Milton, Newton, and the Implications of
Arianism,
* 18.: Mary Nyquist: Friday as Fit Help,
* V. WIDER WORLDS
* 19.: Sharon Achinstein: Early Modern Marriage in a Secular Age:
Beyond the Sexual Contract,
* 20.: Nigel Smith: Haak's Milton,
* 21.: Jason Peacey: Miltonic Texts and European Politics, 1674-1682,
* 22.: Anne-Julia Zwierlein: Purging the Visual Nerve: Exploration,
'Revelation', and Cosmography in Milton Commentaries and Criticism of
the Long Restoration,
* 23.: Steven Pincus: Some Thoughts on Periodization: John Milton to
Adam Smith and Beyond,
* VI. EPIC, MOCK EPIC, AND THE NOVEL
* 24.: John Leonard: Milton, the Long Restoration, and Pope's Iliad,
* 25.: Anthony Welch: Paradise Lost and English Mock Heroic,
* 26.: Joanna Picciotto: Milton and the People,
* 27.: Michael McKeon: Paradise Lost in the Long Restoration,
1660-1742: The Parody of Form,
* 28.: Paul Stevens: Raphael's Condescension: Paradise Lost, Jane
Austen, and the Secular Displacement of Grace,
* VII. MILTON'S LIVES
* 29.: Jayne Lewis: 'His Ears Now Were Eyes to Him': The Lives of
Milton in the Long Restoration,
* Bibliography
* List of Figures
* Note on the Text and List of Abbreviations
* List of Contributors
* Introduction. Why Milton in the Long Restoration
* I. RECEPTION AND INTERPRETATION
* 1.: Denise Gigante: Milton's Spots: Addison on Paradise Lost
* 2.: David A. Harper: Critical Mass: Contextualizing Bentley's
Paradise Lost
* 3.: N. K. Sugimura: 'A Fine Paradisaical Notion': Materialism and
Readings of Paradise Lost in the 'Long Restoration'
* 4.: Blair Hoxby: 'In the Dun Air Sublime': Milton, the Richardsons,
and the Invention of Aesthetic Categories
* II. THE DRAMATIC AND THEATRICAL MILTON
* 5.: Ann Baynes Coiro: Milton's Essay of Dramatic Poesy: Samson
Agonistes,
* 6.: Catherine Gimelli Martin: John Dennis, John Locke, and the
Sublimation of Revolt: Samson Agonistes after the Glorious
Revolution,
* 7.: Blaine Greteman: 'To Secure Our Freedom': How A Mask Presented at
Ludlow-Castle Became Milton's Comus,
* 8.: Ruth Smith: Milton Modulated for Handel's Music,
* III. LINEAL DESCENTS AND CLANS
* 9.: Steven N. Zwicker: John Dryden Meets, Rhymes, and Says Farewell
to John Milton: A Restoration Drama in Four Scenes,
* 10.: Laura L. Knoppers: 'I Still Deny'd, Much Pleas'd to Hear You
Sue': Milton's Eve, Ovid, and the Restoration Coquette,
* 11.: Dustin D. Stewart: Angel Bodies to Whig Souls: Blank Verse after
Blenheim,
* 12.: Christopher R. Miller: Yet Once More: Milton's Lyric
Descendants,
* 13.: Sophie Gee: Milton's Pope,
* IV. CONDITIONS OF LIBERTY
* 14.: Gregory Chaplin: The Circling Hours: Revolution in Paradise
Regained,
* 15.: Martin Dzelzainis: 'In Power of Others, Never in My Own': The
Meaning of Slavery in Samson Agonistes,
* 16.: Nicholas von Maltzahn: Milton and the Restoration Literae,
* 17.: Stephen M. Fallon: Milton, Newton, and the Implications of
Arianism,
* 18.: Mary Nyquist: Friday as Fit Help,
* V. WIDER WORLDS
* 19.: Sharon Achinstein: Early Modern Marriage in a Secular Age:
Beyond the Sexual Contract,
* 20.: Nigel Smith: Haak's Milton,
* 21.: Jason Peacey: Miltonic Texts and European Politics, 1674-1682,
* 22.: Anne-Julia Zwierlein: Purging the Visual Nerve: Exploration,
'Revelation', and Cosmography in Milton Commentaries and Criticism of
the Long Restoration,
* 23.: Steven Pincus: Some Thoughts on Periodization: John Milton to
Adam Smith and Beyond,
* VI. EPIC, MOCK EPIC, AND THE NOVEL
* 24.: John Leonard: Milton, the Long Restoration, and Pope's Iliad,
* 25.: Anthony Welch: Paradise Lost and English Mock Heroic,
* 26.: Joanna Picciotto: Milton and the People,
* 27.: Michael McKeon: Paradise Lost in the Long Restoration,
1660-1742: The Parody of Form,
* 28.: Paul Stevens: Raphael's Condescension: Paradise Lost, Jane
Austen, and the Secular Displacement of Grace,
* VII. MILTON'S LIVES
* 29.: Jayne Lewis: 'His Ears Now Were Eyes to Him': The Lives of
Milton in the Long Restoration,
* Bibliography
* Note on the Text and List of Abbreviations
* List of Contributors
* Introduction. Why Milton in the Long Restoration
* I. RECEPTION AND INTERPRETATION
* 1.: Denise Gigante: Milton's Spots: Addison on Paradise Lost
* 2.: David A. Harper: Critical Mass: Contextualizing Bentley's
Paradise Lost
* 3.: N. K. Sugimura: 'A Fine Paradisaical Notion': Materialism and
Readings of Paradise Lost in the 'Long Restoration'
* 4.: Blair Hoxby: 'In the Dun Air Sublime': Milton, the Richardsons,
and the Invention of Aesthetic Categories
* II. THE DRAMATIC AND THEATRICAL MILTON
* 5.: Ann Baynes Coiro: Milton's Essay of Dramatic Poesy: Samson
Agonistes,
* 6.: Catherine Gimelli Martin: John Dennis, John Locke, and the
Sublimation of Revolt: Samson Agonistes after the Glorious
Revolution,
* 7.: Blaine Greteman: 'To Secure Our Freedom': How A Mask Presented at
Ludlow-Castle Became Milton's Comus,
* 8.: Ruth Smith: Milton Modulated for Handel's Music,
* III. LINEAL DESCENTS AND CLANS
* 9.: Steven N. Zwicker: John Dryden Meets, Rhymes, and Says Farewell
to John Milton: A Restoration Drama in Four Scenes,
* 10.: Laura L. Knoppers: 'I Still Deny'd, Much Pleas'd to Hear You
Sue': Milton's Eve, Ovid, and the Restoration Coquette,
* 11.: Dustin D. Stewart: Angel Bodies to Whig Souls: Blank Verse after
Blenheim,
* 12.: Christopher R. Miller: Yet Once More: Milton's Lyric
Descendants,
* 13.: Sophie Gee: Milton's Pope,
* IV. CONDITIONS OF LIBERTY
* 14.: Gregory Chaplin: The Circling Hours: Revolution in Paradise
Regained,
* 15.: Martin Dzelzainis: 'In Power of Others, Never in My Own': The
Meaning of Slavery in Samson Agonistes,
* 16.: Nicholas von Maltzahn: Milton and the Restoration Literae,
* 17.: Stephen M. Fallon: Milton, Newton, and the Implications of
Arianism,
* 18.: Mary Nyquist: Friday as Fit Help,
* V. WIDER WORLDS
* 19.: Sharon Achinstein: Early Modern Marriage in a Secular Age:
Beyond the Sexual Contract,
* 20.: Nigel Smith: Haak's Milton,
* 21.: Jason Peacey: Miltonic Texts and European Politics, 1674-1682,
* 22.: Anne-Julia Zwierlein: Purging the Visual Nerve: Exploration,
'Revelation', and Cosmography in Milton Commentaries and Criticism of
the Long Restoration,
* 23.: Steven Pincus: Some Thoughts on Periodization: John Milton to
Adam Smith and Beyond,
* VI. EPIC, MOCK EPIC, AND THE NOVEL
* 24.: John Leonard: Milton, the Long Restoration, and Pope's Iliad,
* 25.: Anthony Welch: Paradise Lost and English Mock Heroic,
* 26.: Joanna Picciotto: Milton and the People,
* 27.: Michael McKeon: Paradise Lost in the Long Restoration,
1660-1742: The Parody of Form,
* 28.: Paul Stevens: Raphael's Condescension: Paradise Lost, Jane
Austen, and the Secular Displacement of Grace,
* VII. MILTON'S LIVES
* 29.: Jayne Lewis: 'His Ears Now Were Eyes to Him': The Lives of
Milton in the Long Restoration,
* Bibliography