Natasha Eaton theorizes the relationship between art and empire through analysis of the interconnected visual cultures of British and Mughal empires in eighteenth- and nineteenth-century India.
Natasha Eaton theorizes the relationship between art and empire through analysis of the interconnected visual cultures of British and Mughal empires in eighteenth- and nineteenth-century India.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Natasha Eaton is a Lecturer in the History of Art at University College London.
Inhaltsangabe
List of Illustrations ix Acknowledgments xiii Introduction 1 1. Colonizing the Exotic: Indian and Colonial Art in London 19 2. The Mirroring of Mirrors: Nostalgia, Sovereignty, and Unhomely Images in Calcutta 63 3. Mimicking Kingship: Sovereign Genealogies, Vernacular Landscape, and the Work of William Hodges 105 4. Art and Gift in India: Mimesis and Inalienability 151 5. Sacrifice and the Double: Physiognomy, Divination, and Ethnographic Art in India 195 Conclusion 229 Notes 247 Works Cited 297 Index 323
List of Illustrations ix Acknowledgments xiii Introduction 1 1. Colonizing the Exotic: Indian and Colonial Art in London 19 2. The Mirroring of Mirrors: Nostalgia, Sovereignty, and Unhomely Images in Calcutta 63 3. Mimicking Kingship: Sovereign Genealogies, Vernacular Landscape, and the Work of William Hodges 105 4. Art and Gift in India: Mimesis and Inalienability 151 5. Sacrifice and the Double: Physiognomy, Divination, and Ethnographic Art in India 195 Conclusion 229 Notes 247 Works Cited 297 Index 323
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