Throwing new light on how Victorians conceptualized identity, deception, originality and the relations between sciences and the arts, Mimicry and Display in Victorian Literary Culture offers fresh angles on canonical authors and texts. It will appeal to scholars and students of literature and history, and general readers interested in cultural history and history of science.
Throwing new light on how Victorians conceptualized identity, deception, originality and the relations between sciences and the arts, Mimicry and Display in Victorian Literary Culture offers fresh angles on canonical authors and texts. It will appeal to scholars and students of literature and history, and general readers interested in cultural history and history of science.
Produktdetails
Produktdetails
Cambridge Studies in Nineteenth-Century Literature and Culture
Will Abberley is Senior Lecturer in Victorian Literature at the University of Sussex. His other books are English Fiction and the Evolution of Language 1850¿1914 (2015) and Underwater Worlds: Submerged Visions in Science and Culture (2018). He is a BBC New Generation Thinker and Philip Leverhulme Prize recipient.
Inhaltsangabe
Introduction. Adaptive appearance in nineteenth-century culture; 1. Seeing things: art, nature and science in representations of crypsis; 2. Divine displays: Charles Kingsley, hermeneutic natural theology and the problem of adaptive appearance; 3. Criminal chameleons: the evolution of deceit in Grant Allen's fiction; 4. Darwin's little ironies: evolution and the ethics of appearance in Thomas Hardy's fiction; 5. Blending in and standing out I: crypsis versus individualism in fin-de-siècle cultural criticism; 6. Blending in and standing out II: mimicry, display and identity politics in the literary activism of Israel Zangwill and Charlotte Perkins Gilman; Conclusion. Adaptive appearance and cultural theory.
Introduction. Adaptive appearance in nineteenth-century culture; 1. Seeing things: art, nature and science in representations of crypsis; 2. Divine displays: Charles Kingsley, hermeneutic natural theology and the problem of adaptive appearance; 3. Criminal chameleons: the evolution of deceit in Grant Allen's fiction; 4. Darwin's little ironies: evolution and the ethics of appearance in Thomas Hardy's fiction; 5. Blending in and standing out I: crypsis versus individualism in fin-de-siècle cultural criticism; 6. Blending in and standing out II: mimicry, display and identity politics in the literary activism of Israel Zangwill and Charlotte Perkins Gilman; Conclusion. Adaptive appearance and cultural theory.
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