Alexander M. Schlutz is associate professor of English at John Jay College, City University of New York.
Inhaltsangabe
Acknowledgments Introduction 1. Epistemology, Metaphysics, and Rhetoric: Contexts of Imagination Aristotle, Phantasia, and the Problem of Epistemology Plato, the Neoplatonists, and the Vagaries of the Sublunar World Phantasia and Ecstatic Knowledge "A More Skillful Artist than Imitation" 2. Dreams, Doubts, and Evil Demons: Descartes and Imagination Meditatio Prima: Certainty, the Cogito, and Imagination Imagination in the Rules Meditatio Secunda: The World of the Cogito Descartes, Montaigne, and Pascal Analogies and Enthusiasm Excogitations: Fabulating the Cogito 3. The Reasonable Imagination: Immanuel Kant's Critical Philosophy Imagination in the Limits of Pure Reason Dreamers and Madmen: Imagination in Anthropology Natural Art and Sublime Madness: Imagination in the Critique of Judgment 4. The Highest Point of Philosophy: Fichte's Reimagining of the Kantian System The Logics of Positing: Intellectual Intuition and the Absolute Subject Ecstasy, Inspired Communication, and Philosophical Genius Light, Dusk, and Darkness: The Reconciliation of Opposites The Metaphysics of Oscillation and the Truth of Imagination Reason's Fixations: Arresting Imagination 5. A System without Foundations: Poetic Subjectivity in Friedrich von Hardenberg's Ordo Inversus A System without Foundations Fantasy and the Body 6. Divine Law and Abject Subjectivity: Coleridge and the Double Knowledge of Imagination Divine Imagination The Abyss of the Empirical Self Coda: Imagining Ideology Conclusions Notes Bibliography Index
Acknowledgments Introduction 1. Epistemology, Metaphysics, and Rhetoric: Contexts of Imagination Aristotle, Phantasia, and the Problem of Epistemology Plato, the Neoplatonists, and the Vagaries of the Sublunar World Phantasia and Ecstatic Knowledge "A More Skillful Artist than Imitation" 2. Dreams, Doubts, and Evil Demons: Descartes and Imagination Meditatio Prima: Certainty, the Cogito, and Imagination Imagination in the Rules Meditatio Secunda: The World of the Cogito Descartes, Montaigne, and Pascal Analogies and Enthusiasm Excogitations: Fabulating the Cogito 3. The Reasonable Imagination: Immanuel Kant's Critical Philosophy Imagination in the Limits of Pure Reason Dreamers and Madmen: Imagination in Anthropology Natural Art and Sublime Madness: Imagination in the Critique of Judgment 4. The Highest Point of Philosophy: Fichte's Reimagining of the Kantian System The Logics of Positing: Intellectual Intuition and the Absolute Subject Ecstasy, Inspired Communication, and Philosophical Genius Light, Dusk, and Darkness: The Reconciliation of Opposites The Metaphysics of Oscillation and the Truth of Imagination Reason's Fixations: Arresting Imagination 5. A System without Foundations: Poetic Subjectivity in Friedrich von Hardenberg's Ordo Inversus A System without Foundations Fantasy and the Body 6. Divine Law and Abject Subjectivity: Coleridge and the Double Knowledge of Imagination Divine Imagination The Abyss of the Empirical Self Coda: Imagining Ideology Conclusions Notes Bibliography Index
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