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Demonstrates how the ambivalence in the conceptions of imagination inform fundamental philosophical and aesthetic projects of European modernity
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Demonstrates how the ambivalence in the conceptions of imagination inform fundamental philosophical and aesthetic projects of European modernity
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University of Washington Press
- Seitenzahl: 344
- Erscheinungstermin: 1. Juli 2009
- Englisch
- Abmessung: 229mm x 151mm x 24mm
- Gewicht: 527g
- ISBN-13: 9780295988931
- ISBN-10: 0295988932
- Artikelnr.: 25685111
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: University of Washington Press
- Seitenzahl: 344
- Erscheinungstermin: 1. Juli 2009
- Englisch
- Abmessung: 229mm x 151mm x 24mm
- Gewicht: 527g
- ISBN-13: 9780295988931
- ISBN-10: 0295988932
- Artikelnr.: 25685111
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Alexander M. Schlutz is associate professor of English at John Jay College, City University of New York.
Acknowledgments
Introduction
1. Epistemology, Metaphysics, and Rhetoric: Contexts of Imagination
Aristotle, Phantasia, and the Problem of Epistemology
Plato, the Neoplatonists, and the Vagaries of the Sublunar World
Phantasia and Ecstatic Knowledge
"A More Skillful Artist than Imitation"
2. Dreams, Doubts, and Evil Demons: Descartes and Imagination
Meditatio Prima: Certainty, the Cogito, and Imagination
Imagination in the Rules
Meditatio Secunda: The World of the Cogito
Descartes, Montaigne, and Pascal
Analogies and Enthusiasm
Excogitations: Fabulating the Cogito
3. The Reasonable Imagination: Immanuel Kant's Critical Philosophy
Imagination in the Limits of Pure Reason
Dreamers and Madmen: Imagination in Anthropology
Natural Art and Sublime Madness: Imagination in the Critique of Judgment
4. The Highest Point of Philosophy: Fichte's Reimagining of the Kantian
System
The Logics of Positing: Intellectual Intuition and the Absolute Subject
Ecstasy, Inspired Communication, and Philosophical Genius
Light, Dusk, and Darkness: The Reconciliation of Opposites
The Metaphysics of Oscillation and the Truth of Imagination
Reason's Fixations: Arresting Imagination
5. A System without Foundations: Poetic Subjectivity in Friedrich von
Hardenberg's Ordo Inversus
A System without Foundations
Fantasy and the Body
6. Divine Law and Abject Subjectivity: Coleridge and the Double Knowledge
of Imagination
Divine Imagination
The Abyss of the Empirical Self
Coda: Imagining Ideology
Conclusions
Notes
Bibliography
Index
Introduction
1. Epistemology, Metaphysics, and Rhetoric: Contexts of Imagination
Aristotle, Phantasia, and the Problem of Epistemology
Plato, the Neoplatonists, and the Vagaries of the Sublunar World
Phantasia and Ecstatic Knowledge
"A More Skillful Artist than Imitation"
2. Dreams, Doubts, and Evil Demons: Descartes and Imagination
Meditatio Prima: Certainty, the Cogito, and Imagination
Imagination in the Rules
Meditatio Secunda: The World of the Cogito
Descartes, Montaigne, and Pascal
Analogies and Enthusiasm
Excogitations: Fabulating the Cogito
3. The Reasonable Imagination: Immanuel Kant's Critical Philosophy
Imagination in the Limits of Pure Reason
Dreamers and Madmen: Imagination in Anthropology
Natural Art and Sublime Madness: Imagination in the Critique of Judgment
4. The Highest Point of Philosophy: Fichte's Reimagining of the Kantian
System
The Logics of Positing: Intellectual Intuition and the Absolute Subject
Ecstasy, Inspired Communication, and Philosophical Genius
Light, Dusk, and Darkness: The Reconciliation of Opposites
The Metaphysics of Oscillation and the Truth of Imagination
Reason's Fixations: Arresting Imagination
5. A System without Foundations: Poetic Subjectivity in Friedrich von
Hardenberg's Ordo Inversus
A System without Foundations
Fantasy and the Body
6. Divine Law and Abject Subjectivity: Coleridge and the Double Knowledge
of Imagination
Divine Imagination
The Abyss of the Empirical Self
Coda: Imagining Ideology
Conclusions
Notes
Bibliography
Index
Acknowledgments
Introduction
1. Epistemology, Metaphysics, and Rhetoric: Contexts of Imagination
Aristotle, Phantasia, and the Problem of Epistemology
Plato, the Neoplatonists, and the Vagaries of the Sublunar World
Phantasia and Ecstatic Knowledge
"A More Skillful Artist than Imitation"
2. Dreams, Doubts, and Evil Demons: Descartes and Imagination
Meditatio Prima: Certainty, the Cogito, and Imagination
Imagination in the Rules
Meditatio Secunda: The World of the Cogito
Descartes, Montaigne, and Pascal
Analogies and Enthusiasm
Excogitations: Fabulating the Cogito
3. The Reasonable Imagination: Immanuel Kant's Critical Philosophy
Imagination in the Limits of Pure Reason
Dreamers and Madmen: Imagination in Anthropology
Natural Art and Sublime Madness: Imagination in the Critique of Judgment
4. The Highest Point of Philosophy: Fichte's Reimagining of the Kantian
System
The Logics of Positing: Intellectual Intuition and the Absolute Subject
Ecstasy, Inspired Communication, and Philosophical Genius
Light, Dusk, and Darkness: The Reconciliation of Opposites
The Metaphysics of Oscillation and the Truth of Imagination
Reason's Fixations: Arresting Imagination
5. A System without Foundations: Poetic Subjectivity in Friedrich von
Hardenberg's Ordo Inversus
A System without Foundations
Fantasy and the Body
6. Divine Law and Abject Subjectivity: Coleridge and the Double Knowledge
of Imagination
Divine Imagination
The Abyss of the Empirical Self
Coda: Imagining Ideology
Conclusions
Notes
Bibliography
Index
Introduction
1. Epistemology, Metaphysics, and Rhetoric: Contexts of Imagination
Aristotle, Phantasia, and the Problem of Epistemology
Plato, the Neoplatonists, and the Vagaries of the Sublunar World
Phantasia and Ecstatic Knowledge
"A More Skillful Artist than Imitation"
2. Dreams, Doubts, and Evil Demons: Descartes and Imagination
Meditatio Prima: Certainty, the Cogito, and Imagination
Imagination in the Rules
Meditatio Secunda: The World of the Cogito
Descartes, Montaigne, and Pascal
Analogies and Enthusiasm
Excogitations: Fabulating the Cogito
3. The Reasonable Imagination: Immanuel Kant's Critical Philosophy
Imagination in the Limits of Pure Reason
Dreamers and Madmen: Imagination in Anthropology
Natural Art and Sublime Madness: Imagination in the Critique of Judgment
4. The Highest Point of Philosophy: Fichte's Reimagining of the Kantian
System
The Logics of Positing: Intellectual Intuition and the Absolute Subject
Ecstasy, Inspired Communication, and Philosophical Genius
Light, Dusk, and Darkness: The Reconciliation of Opposites
The Metaphysics of Oscillation and the Truth of Imagination
Reason's Fixations: Arresting Imagination
5. A System without Foundations: Poetic Subjectivity in Friedrich von
Hardenberg's Ordo Inversus
A System without Foundations
Fantasy and the Body
6. Divine Law and Abject Subjectivity: Coleridge and the Double Knowledge
of Imagination
Divine Imagination
The Abyss of the Empirical Self
Coda: Imagining Ideology
Conclusions
Notes
Bibliography
Index