"A new Penguin Classics series that recovers and rediscovers the work of African American poets from the 19th and 20th centuries, curated by Joshua Bennett and Jesse McCarthy. As scholars of African American literature and cultural history, Bennett and McCarthy repeatedly find themselves struck by the number of exciting poets they come across in long-out-of-print collections and forgotten journals, whose work has been neglected and, in some cases, entirely ignored, even by those academic circles devoted to the study of Black poetry. Minor Notes is an excavation initiative that addresses this…mehr
"A new Penguin Classics series that recovers and rediscovers the work of African American poets from the 19th and 20th centuries, curated by Joshua Bennett and Jesse McCarthy. As scholars of African American literature and cultural history, Bennett and McCarthy repeatedly find themselves struck by the number of exciting poets they come across in long-out-of-print collections and forgotten journals, whose work has been neglected and, in some cases, entirely ignored, even by those academic circles devoted to the study of Black poetry. Minor Notes is an excavation initiative that addresses this problem by recovering archival materials from these understudied, though supremely gifted, African American poets of the 19th and 20th centuries. By pairing neglected collections of poetry with prefatory commentary provided by contemporary poets, Minor Notes bridges scholarly interest with the growing audience outside the university that reads, writes, and circulates Black poetry. Minor Notes Vol. 1 features the work of three poets. Published in 1837, Poems by a Slave is one of the lesser-known works by George Moses Horton (1798-1883), once popularly known as the "black bard of North Carolina." Visions of the Dusk (1915) is an American prose poem known for its formal innovation by Fenton Johnson, a poet, essayist, editor, and educator from Chicago. Georgia Douglas Johnson was the most widely read black woman poet in the US during the first three decades of the 20th century. Bronze: A Book of Verse (1922) was introduced with a foreword by W.E.B. Du Bois. Bennett and McCarthy will provide an introduction"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr. Joshua Bennett (External Editor) Joshua Bennett is a Professor of English and Creative Writing at Dartmouth College. He is the author of four books of poetry and criticism: The Sobbing School (Penguin, 2016)-winner of the National Poetry Series and a finalist for an NAACP Image Award-as well as Being Property Once Myself (Harvard University Press, 2020), Owed (Penguin, 2020), and The Study of Human Life (Penguin, 2022). Earlier this year, he received a Guggenheim Fellowship and a Whiting Award for Poetry and Nonfiction. Joshua earned his Ph.D. in English from Princeton University, and an M.A. in Theatre and Performance Studies from the University of Warwick, where he was a Marshall Scholar. He has recited his original works at the Sundance Film Festival, the NAACP Image Awards, and President Obama's Evening of Poetry and Music at the White House. He has also performed and taught creative writing workshops at hundreds of middle schools, high schools, colleges, and universities across the United States, as well as in the U.K. and South Africa. Joshua has received fellowships from the National Endowment for the Arts, MIT, and the Society of Fellows at Harvard University. His writing has been published in Best American Poetry, The New York Times, The Paris Review, Poetry Magazine, and elsewhere. Alongside his friend and colleague, Jesse McCarthy, he is the founding co-editor of Minor Notes, a Penguin Classics book series dedicated to minor poets within the black expressive tradition. He lives in Massachusetts with his wife and son, Pam and August, and their family dog, Apollo 5.
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