"A highly readable exploration of the cultural politics of reform-era China that deserves a broad readership among anthropologists, historians, and those in cultural studies."--Ann Anagnost, author of "National Past-Times: Narrative, Representation, and Power in Modern China"
"A highly readable exploration of the cultural politics of reform-era China that deserves a broad readership among anthropologists, historians, and those in cultural studies."--Ann Anagnost, author of "National Past-Times: Narrative, Representation, and Power in Modern China"
Louisa Schein is Assistant Professor of Anthropology at Rutgers University.
Inhaltsangabe
Illustrations Preface and Acknowledgments 1 Introduction Part I. Nation / Representation 2 Of Origins and Ethnonyms Contested Histories, Productive Ethnologies 3 Making Minzu: The State, the Category, and the Work 4 Internal Orientalism: Gender and the Popularization of China's Others 5 Reconfiguring the Dominant Part II. Identity and Cultural Struggle 6 Songs for Sale: Spectacle from the Mao to Market 7 Scribes, Sartorial Acts, and the State: Calling Culture Back 8 Displacing Subalternity: The Mobile Other 9 Performances of Minzu Modernity 10 Conclusion Notes Bibliography Index
Illustrations Preface and Acknowledgments 1 Introduction Part I. Nation / Representation 2 Of Origins and Ethnonyms Contested Histories, Productive Ethnologies 3 Making Minzu: The State, the Category, and the Work 4 Internal Orientalism: Gender and the Popularization of China's Others 5 Reconfiguring the Dominant Part II. Identity and Cultural Struggle 6 Songs for Sale: Spectacle from the Mao to Market 7 Scribes, Sartorial Acts, and the State: Calling Culture Back 8 Displacing Subalternity: The Mobile Other 9 Performances of Minzu Modernity 10 Conclusion Notes Bibliography Index
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