Mint Tea from a Copper Pot - Fielden, Amelia
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It was during the Sui Dynasty (AD 581-601) that China first introduced tea to Japan, but the gentle art of tea drinking did not fully take root until the Southern Song Dynasty (AD 1127-1279) when a Japanese monk called Eisai returned from the Zhejiang Province, bringing with him the seeds for the first plantations and the principles of the Tea Culture. Eisai's book on the subject, Kissa Y¿j¿ki, began with the sentence 'Tea is the ultimate mental and medical remedy and has the ability to make one's life more full and complete.' Building on another ancient tradition, utamonogatari (poem…mehr

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Produktbeschreibung
It was during the Sui Dynasty (AD 581-601) that China first introduced tea to Japan, but the gentle art of tea drinking did not fully take root until the Southern Song Dynasty (AD 1127-1279) when a Japanese monk called Eisai returned from the Zhejiang Province, bringing with him the seeds for the first plantations and the principles of the Tea Culture. Eisai's book on the subject, Kissa Y¿j¿ki, began with the sentence 'Tea is the ultimate mental and medical remedy and has the ability to make one's life more full and complete.' Building on another ancient tradition, utamonogatari (poem stories), Amelia Fielden brings us Mint Tea from a Copper Pot & other tanka tales. Coming from 'a nation of tea-drinkers', I do not underestimate the significance of this everyday tradition. A cup of tea is curative, calming, ceremonial. For many of us, it is almost an act of ritual. It can be solitary, meditative, but like a memory, allowed to steep a while, it is made for sharing. It is comfort in a crisis, or while we wait for news. In her tanka tales, Amelia Fielden invites us to partake of these recollections of a long life, well-lived, a life filled with love, loss and longing; whether we are sipping Ceylon tea from porcelain cups in Japan, orange pekoe from the best china in an English country garden, mint tea behind wrought-iron gates and bolted cedar doors in the midst of a Moroccan revolution, or green tea in a temple precinct as we contemplate a dancing black butterfly, we are fully involved in Amelia's experience. Moreover, the eponymous mint tea from a copper pot is the image that permeates the collection and lingers long after it is finished. Mint: sharp, tantalising, refreshing, so exciting to the palate. Copper: the metal that redoubles the richness of a flame's reflection. The poet's mind is a fire bowl for memory, the 'sunset fire' that 'flares above the charcoal mountain rims'. This is a collection to savour and to return to again and again. Claire Everett, Tanka Prose Editor, Haibun Today, Editor, Skylark Tanka Journal
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Autorenporträt
A long while ago, I heard of an old Japanese tradition which associates the colour purple with the seventies, and endorses it as appropriate for wearing by people in that venerable age group. Then, when I turned seventy, I joined the Red Hat Society, founded in the USA in 1997 as 'the place where there is fun over fifty'. This society takes for its motto, so to speak, a poem called 'Warning', by the UK poet Jenny Joseph (1932-). The first verse of 'Warning' begins thus:'When I am an old woman I shall wear purpleWith a red hat which doesn't go and doesn't suit me.And I shall spend my pension on brandy and summer glovesAnd satin sandals, and say we've no money for butter.I shall sit down on the pavement when I'm tired... And make up for the sobriety of my youth!'A nice synchronicity between East and West, isn't it? Loving the colour purple, I quite often wear it, not just to Red Hat Society functions. I was born in 1941, and most of the tanka in this book have been written and published during my 'purple years'.