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Stranded in his Sydney flat, the journalist John Rinner tries to explain his Dad-dud existence to his daughter by telephone. This is not easy since he hasn't seen her in 18 years and she is on the other side of the world working in an Amsterdam hotel with little time to listen to an excuse for a Dad.Just as his working life in the field with the UN Childrens Fund now seems only smoke-and-mirrors, so does Rinner's own life seem as it flashes past him in delusion and illusion, and with more bottoms than tops. This seems especially relevant to his real-or-imagined North Queensland aboriginal…mehr

Produktbeschreibung
Stranded in his Sydney flat, the journalist John Rinner tries to explain his Dad-dud existence to his daughter by telephone. This is not easy since he hasn't seen her in 18 years and she is on the other side of the world working in an Amsterdam hotel with little time to listen to an excuse for a Dad.Just as his working life in the field with the UN Childrens Fund now seems only smoke-and-mirrors, so does Rinner's own life seem as it flashes past him in delusion and illusion, and with more bottoms than tops. This seems especially relevant to his real-or-imagined North Queensland aboriginal roots... almost as much as the witnessing the world's abuse of its children has scarred him. But, more and more, the cross connections of telephone torment continue, escalating in him into looking down into a sump rather than getting any sort of expiation from reconnecting with his beloved daughter.At least it is a mirror on the wall there, and not the sad sack that is himself.At least, too, the mirror gives back to him a more intelligent conversation than he can get from other human beings these end of days. He is still, though barely, intuitive enough to be able to appreciate being able to tell it: 'You heard the one about the guy going up to a mirror on the wall and spouting, "Mirror, mirror, on the wall, who is the....?"'--------------Bill Reed is a novelist, playwright and short-story writer. He has worked as editor and journalist both in Australia and overseas, and has won national competitions for drama and for long and short fiction. He now divides his time between his native Australia and his wife's Sri Lanka.
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Autorenporträt
Bill Reed is a novelist, playwright and short-story writer. He was born in Perth, Australia, but grew up in Adelaide and Melbourne, where he is better known as a local author. His nine professionally-produced plays include Burke's Company, Mr Siggie Morrison with his Comb and Paper, Truganinni, Cass Butcher Bunting. These plays have also been published. His twelve novels have included Dogod, The 1001 Lankan Nights books 1 and 2, Me the Old Man, and the novel tetralogy Throw Her Back, Are Your Human?, Awash and Tasker Tusker Tasker. The Australian Script Centre has accepted 11 of his plays for listing and purchase through its official website Australianplays.org. He has worked as editor and journalist both in Australia and overseas. In Australia he has been Publishing Manager of such major book-publishing houses as Rigby, A.H. and A.W. Reed, and the Macmillan Company of Australia. His novel Stigmata won the Fellowship of Australian Writers' ANA award. Among his awards for drama are Critics Choice and The Alexander Theatre Award for Burke's Company and Cass Butcher Bunting. He has won national competitions in all three categories of drama, novels and short stories, including the National Short Story Award.