Miss Julie and the Stronger - Strindberg, August; Mcguinness, Frank
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Frank McGuinness presents scintillating new versions of two of August Strindberg's plays -- one a major work, the other less well known. Miss Julie is Strindberg's examination of power, sex, and class, set on a midsummer's eve in a nobleman's house and focusing on the shifting relationship between Miss Julie, the daughter of the house, and Jean, her father's manservant. The Stronger is a short play that explores the complex range of emotions felt by Madame X when she encounters Mademoiselle Y, her husband's former mistress, at a fashionable cafe. Calling Mademoiselle Y worn out and evil,…mehr

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Produktbeschreibung
Frank McGuinness presents scintillating new versions of two of August Strindberg's plays -- one a major work, the other less well known. Miss Julie is Strindberg's examination of power, sex, and class, set on a midsummer's eve in a nobleman's house and focusing on the shifting relationship between Miss Julie, the daughter of the house, and Jean, her father's manservant. The Stronger is a short play that explores the complex range of emotions felt by Madame X when she encounters Mademoiselle Y, her husband's former mistress, at a fashionable cafe. Calling Mademoiselle Y worn out and evil, Madame X says that the triumph of her marriage proves she is the stronger of the two -- even though these words ring hollow, as she attempts to deceive only herself.
Autorenporträt
Johan August Strindberg was a Swedish dramatist, novelist, poet, essayist, and painter. During his four-decade career, Strindberg created more than sixty plays and over thirty books of fiction, autobiography, history, cultural analysis, and politics, frequently drawing directly on his own experiences. He was a daring innovator and iconoclast who experimented with a variety of dramatic methods and objectives, including naturalistic tragedy, monodrama, and history plays, as well as his foreshadowing of expressionist and surrealist theatrical tactics. Strindberg pioneered new approaches to dramatic action, vocabulary, and visual composition beginning with his early work. In 1872, the Royal Theatre rejected his first major play, Master Olof; it was not until 1881, at the age of thirty-two, that its premiere at the New Theatre provided him with his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that - building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play - responded to Emile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887).