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Frank McGuinness presents scintillating new versions of two of August Strindberg's plays -- one a major work, the other less well known. Miss Julie is Strindberg's examination of power, sex, and class, set on a midsummer's eve in a nobleman's house and focusing on the shifting relationship between Miss Julie, the daughter of the house, and Jean, her father's manservant. The Stronger is a short play that explores the complex range of emotions felt by Madame X when she encounters Mademoiselle Y, her husband's former mistress, at a fashionable cafe. Calling Mademoiselle Y worn out and evil,…mehr

Produktbeschreibung
Frank McGuinness presents scintillating new versions of two of August Strindberg's plays -- one a major work, the other less well known. Miss Julie is Strindberg's examination of power, sex, and class, set on a midsummer's eve in a nobleman's house and focusing on the shifting relationship between Miss Julie, the daughter of the house, and Jean, her father's manservant. The Stronger is a short play that explores the complex range of emotions felt by Madame X when she encounters Mademoiselle Y, her husband's former mistress, at a fashionable cafe. Calling Mademoiselle Y worn out and evil, Madame X says that the triumph of her marriage proves she is the stronger of the two -- even though these words ring hollow, as she attempts to deceive only herself.
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Autorenporträt
August Strindberg (1849-1912) was a Swedish playwright, novelist, poet, essayist, and painter, considered one of the most influential figures in Scandinavian literature and modern drama. His works are characterized by their exploration of psychological complexity, naturalism, and symbolism, often challenging conventional norms and exploring existential themes. Born in Stockholm, Sweden, Strindberg began his career as a journalist and writer, initially gaining recognition for his early novels and short stories. However, it was his contributions to drama that solidified his reputation. Strindberg's plays, such as "Miss Julie" (1888), "The Father" (1887), and "A Dream Play" (1902), are renowned for their intense psychological realism and innovative narrative techniques. He is credited with pioneering techniques in modernist theater and influencing playwrights and directors worldwide. Beyond drama, Strindberg's literary output includes novels, essays, poetry, and autobiographical works. His novels, like "The Red Room" (1879) and "The People of Hemsö" (1887), reflect his interest in naturalism and social criticism, often depicting the struggles of individuals against societal constraints. Strindberg's writing also reflects his tumultuous personal life and evolving philosophical outlook, which ranged from skepticism and naturalism to mysticism and expressionism. His exploration of themes such as identity, madness, gender roles, and the human condition continues to resonate with readers and scholars alike. In addition to his literary pursuits, Strindberg was a prolific painter and photographer, exploring symbolism and expressionism in visual art. His multifaceted creativity and intellectual curiosity have left a lasting legacy, making him a central figure in the development of modern literature and theater. August Strindberg's works continue to be studied and performed worldwide, celebrated for their profound insight into the complexities of human relationships and the existential dilemmas of modern life.