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Another crisp short novel from Wilkie Collins. As one who distrusts the institution of matrimony, he gives us another example of the somewhat strange Victorian marriage laws. The heroine of Miss or Mrs.?, Natalie, is fifteen years old. Her family wants her to wed Richard Turlington, a failing businessman who wants access to Natalie's father's fortune to save his hide. Natalie hates Turlington and secretly marries Launcelot Linzie, her cousin, who is unable to legally elope with her until her sixteenth birthday. Collins is a past master of knowing how to milk a complicated plot to good effect. Well worth reading. (Jim)…mehr

Produktbeschreibung
Another crisp short novel from Wilkie Collins. As one who distrusts the institution of matrimony, he gives us another example of the somewhat strange Victorian marriage laws. The heroine of Miss or Mrs.?, Natalie, is fifteen years old. Her family wants her to wed Richard Turlington, a failing businessman who wants access to Natalie's father's fortune to save his hide. Natalie hates Turlington and secretly marries Launcelot Linzie, her cousin, who is unable to legally elope with her until her sixteenth birthday. Collins is a past master of knowing how to milk a complicated plot to good effect. Well worth reading. (Jim)
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Autorenporträt
William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist and playwright known especially for The Woman in White (1859), a mystery novel and early "sensation novel", and for The Moonstone (1868), which has been proposed as the first modern English detective novel. Born to the London painter William Collins and his wife, he moved with them to Italy when he was twelve, living there and in France for two years, learning both Italian and French. He worked initially as a tea merchant. After Antonina, his first novel, appeared in 1850, Collins met Charles Dickens, who became a friend and mentor. Some of his work appeared in Dickens's journals Household Words and All the Year Round. They also collaborated on drama and fiction. Collins gained financial stability and an international following by the 1860s, but became addicted to the opium he took for his gout, so that his health and writing quality declined in the 1870s and 1880s.