After winning an Oscar for Spirited Away, the Japanese director Hayao Miyazaki's animated films were dubbed into many languages. Some of the films are saturated with religious themes distinctive to Japanese culture. How were these themes, or what Miyazaki describes as "animism," received abroad, especially considering that they are challenging to translate?
After winning an Oscar for Spirited Away, the Japanese director Hayao Miyazaki's animated films were dubbed into many languages. Some of the films are saturated with religious themes distinctive to Japanese culture. How were these themes, or what Miyazaki describes as "animism," received abroad, especially considering that they are challenging to translate?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Eriko Ogihara-Schuck is a lecturer in American studies at the Technische Universitat Dortmund, Germany. She has lived in Germany, Japan, Singapore and the United States.
Inhaltsangabe
Table of Contents Acknowledgments ix Preface: Anime as a Medium of Inter-Religious Dialogue 1 Introduction: Animism, Religion and Medium as Contested Terms 3 One. Animism Challenges Monotheism: Disasters and Japanese Reception of Hayao Miyazaki's Films 33 Two. Does Monotheism Challenge Animism? Transitions of American and German Adapters' Approaches 59 Three. Animism and Visuals: Religious and Non-Religious Reviewers' Responses 139 Conclusion 191 Chapter Notes 197 Bibliography 201 Index 225
Table of Contents Acknowledgments ix Preface: Anime as a Medium of Inter-Religious Dialogue 1 Introduction: Animism, Religion and Medium as Contested Terms 3 One. Animism Challenges Monotheism: Disasters and Japanese Reception of Hayao Miyazaki's Films 33 Two. Does Monotheism Challenge Animism? Transitions of American and German Adapters' Approaches 59 Three. Animism and Visuals: Religious and Non-Religious Reviewers' Responses 139 Conclusion 191 Chapter Notes 197 Bibliography 201 Index 225
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