Mobilizing Music in Wartime British Film examines the preoccupation with art music and total war that animated British films of the 1940s.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Heather Wiebe is the author of Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction. She teaches at the University of Notre Dame, and was previously Reader in Music at King's College London.
Inhaltsangabe
* Introduction * 1. Music, Feeling, and Total War: Listen to Britain and Millions Like Us * 2. "A Classic of the Masses:" The Warsaw Concerto and Dangerous Moonlight * 3. Recuperating Selfhood: Love Story and Men of Two Worlds * 4. Sounding Out Civilian Trauma: The Seventh Veil and Brief Encounter * 5. Possessed by Music: The Glass Mountain and The Red Shoes * Filmography * Bibliography * Index
* Introduction * 1. Music, Feeling, and Total War: Listen to Britain and Millions Like Us * 2. "A Classic of the Masses:" The Warsaw Concerto and Dangerous Moonlight * 3. Recuperating Selfhood: Love Story and Men of Two Worlds * 4. Sounding Out Civilian Trauma: The Seventh Veil and Brief Encounter * 5. Possessed by Music: The Glass Mountain and The Red Shoes * Filmography * Bibliography * Index
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