Mocking Eugenics explores the opposition to eugenic discourse mounted by twentieth-century American artists seeking to challenge and destabilise what they viewed as a dangerous body of thought.
Mocking Eugenics explores the opposition to eugenic discourse mounted by twentieth-century American artists seeking to challenge and destabilise what they viewed as a dangerous body of thought.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction 1. "I am for the little man": Charlie Chaplin's comedies and the eugenic American 2. Is the "strenuous life" a pleasant life? Euthenic efficiency, racial duty, and the phenomenon of Anita Loos 3. Eugenic marriages and psychometrics in F. Scott Fitzgerald's Fie! Fie! Fi-Fi! and The Vegetable 4. Cosmopolitanism vs. eugenic racial nationalism: Ernest Hemingway's The Torrents of Spring and Madison Grant's The Passing of the Great Race 5. For "the betterment of the human family"? California sterilizations, Wallace Thurman, and Tomorrow's Children Conclusions: Could it have happened here? The borderline existence of anti-eugenic satire
Introduction 1. "I am for the little man": Charlie Chaplin's comedies and the eugenic American 2. Is the "strenuous life" a pleasant life? Euthenic efficiency, racial duty, and the phenomenon of Anita Loos 3. Eugenic marriages and psychometrics in F. Scott Fitzgerald's Fie! Fie! Fi-Fi! and The Vegetable 4. Cosmopolitanism vs. eugenic racial nationalism: Ernest Hemingway's The Torrents of Spring and Madison Grant's The Passing of the Great Race 5. For "the betterment of the human family"? California sterilizations, Wallace Thurman, and Tomorrow's Children Conclusions: Could it have happened here? The borderline existence of anti-eugenic satire
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