Thirty years of thinking and theorizing about the field come together in Modeling Ethnomusicology, a collection of essays by one of its leading figures. Author Timothy Rice weaves together his most important work about music and the way ethnomusicologists study it, and from this work he proposes a new model for constructing how ethnomusicologists theorize as they conduct research.
Thirty years of thinking and theorizing about the field come together in Modeling Ethnomusicology, a collection of essays by one of its leading figures. Author Timothy Rice weaves together his most important work about music and the way ethnomusicologists study it, and from this work he proposes a new model for constructing how ethnomusicologists theorize as they conduct research.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Timothy Rice, professor of ethnomusicology at the University of California, Los Angeles (UCLA), specializes in the traditional music of Bulgaria and writes frequently about the field of ethnomusicology. The author of numerous books, he was founding co-editor of the ten-volume Garland Encyclopedia of World Music; the editor of the journal Ethnomusicology (1981-1984); the President of the Society for Ethnomusicology (2003-2005); and the director of The UCLA Herb Alpert School of Music (2007 to 2013).
Inhaltsangabe
* Table of Contents * Introduction * Chapter 1: Toward the Remodeling of Ethnomusicology * Chapter 2: Toward a Mediation of Field Methods and Field Experience in Ethnomusicology * Chapter 3: Reflections on Music and Meaning: Metaphor, Signification and Control in the Bulgarian Case * Chapter 4: Time, Place, and Metaphor in Musical Experience and Ethnography * Chapter 5: Reflections on Music and Identity in Ethnomusicology * Chapter 6: Ethnomusicological Theory * Chapter 7: The Individual in Musical Ethnography * Chapter 8: Ethnomusicology in Time of Trouble * Bibliography * Index
* Table of Contents * Introduction * Chapter 1: Toward the Remodeling of Ethnomusicology * Chapter 2: Toward a Mediation of Field Methods and Field Experience in Ethnomusicology * Chapter 3: Reflections on Music and Meaning: Metaphor, Signification and Control in the Bulgarian Case * Chapter 4: Time, Place, and Metaphor in Musical Experience and Ethnography * Chapter 5: Reflections on Music and Identity in Ethnomusicology * Chapter 6: Ethnomusicological Theory * Chapter 7: The Individual in Musical Ethnography * Chapter 8: Ethnomusicology in Time of Trouble * Bibliography * Index
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