When French theory went global in the late twentieth century its visual wing was understandably built on the work of its best-known thinkers, notably Foucault, Derrida, Barthes and Deleuze. However these names merely scratch the surface of a vibrant and innovative body of theory that has been produced in France over the last six decades. This volume focuses on a range of theorists who usually languish under the academic radar, especially when outside of France: Arasse, Buci-Glucksmann, Damisch, Debray, Didi-Huberman, Heinich, Marin, Schefer and Stiegler. Also discussed is the important work on…mehr
When French theory went global in the late twentieth century its visual wing was understandably built on the work of its best-known thinkers, notably Foucault, Derrida, Barthes and Deleuze. However these names merely scratch the surface of a vibrant and innovative body of theory that has been produced in France over the last six decades. This volume focuses on a range of theorists who usually languish under the academic radar, especially when outside of France: Arasse, Buci-Glucksmann, Damisch, Debray, Didi-Huberman, Heinich, Marin, Schefer and Stiegler. Also discussed is the important work on the visual of Baudrillard, Merleau-Ponty, Metz and Nancy. Five major areas of French contemporary visual theory are studied by international scholars working within Visual Culture and Art History: phenomenology and beyond; new art histories and genealogies; semiotics and methodologies; memory and the body; and the digital era.
Nigel Saint and Andy Stafford both teach French Studies in the University of Leeds
Inhaltsangabe
Introduction - Nigel Saint and Andy Stafford Part 1. Precursors: Phenomenology and Semiotics 1. 'Merleau-Ponty: The Madness of Vision' (Nathalie Aubert) 2. 'Christian Metz: Constructing Meaning in Film' (Martine Joly) Part 2. New Art Histories and Genealogies 3. 'Daniel Arasse's Joyful Visual Science: In the Intimacy of History and Art' (Ralph Dekoninck) 4. 'Dream Perspectives: Hubert Damisch, Psychoanalysis, and Early Modern Art History' (David Packwood) 5. 'Christine Buci-Glucksmann: the Archaeology of Shadows or the Aesthetics of Image-Flux' (François-Xavier Gleyzon) Part 3. Representation, Mediology and Sociology 6. 'Louis Marin's Theories of Representation: between Text and Image, from Visuality to Figurability' (Agnès Guiderdoni) 7. 'Transmission versus Communication: Régis Debray's Mediology' (Andy Stafford) 8. 'Value, Meaning, Method: Nathalie Heinich's Sociological Perspectives on Visual Culture' (Shirley Jordan) Part 4. Memory, Body, Image 9. 'Seeing and Touching: Jean-Luc Nancy and the Ground of the Image' (Ian James) 10. 'Georges Didi-Huberman: Images, Critique and Time' (Nigel Saint) 11. 'Jean-Louis Schefer: The Body of the Image' (Patrick ffrench) Part 5. The Digital Era 12. 'Jean Baudrillard' (Paul Hegarty) 13. 'Real Time: Bernard Stiegler and the Politics of Digitalization (Arthur Bradley) Part 6. Afterword 14. Interview with Bernard Vouilloux (Saint and Stafford) Index
Introduction - Nigel Saint and Andy Stafford Part 1. Precursors: Phenomenology and Semiotics 1. 'Merleau-Ponty: The Madness of Vision' (Nathalie Aubert) 2. 'Christian Metz: Constructing Meaning in Film' (Martine Joly) Part 2. New Art Histories and Genealogies 3. 'Daniel Arasse's Joyful Visual Science: In the Intimacy of History and Art' (Ralph Dekoninck) 4. 'Dream Perspectives: Hubert Damisch, Psychoanalysis, and Early Modern Art History' (David Packwood) 5. 'Christine Buci-Glucksmann: the Archaeology of Shadows or the Aesthetics of Image-Flux' (François-Xavier Gleyzon) Part 3. Representation, Mediology and Sociology 6. 'Louis Marin's Theories of Representation: between Text and Image, from Visuality to Figurability' (Agnès Guiderdoni) 7. 'Transmission versus Communication: Régis Debray's Mediology' (Andy Stafford) 8. 'Value, Meaning, Method: Nathalie Heinich's Sociological Perspectives on Visual Culture' (Shirley Jordan) Part 4. Memory, Body, Image 9. 'Seeing and Touching: Jean-Luc Nancy and the Ground of the Image' (Ian James) 10. 'Georges Didi-Huberman: Images, Critique and Time' (Nigel Saint) 11. 'Jean-Louis Schefer: The Body of the Image' (Patrick ffrench) Part 5. The Digital Era 12. 'Jean Baudrillard' (Paul Hegarty) 13. 'Real Time: Bernard Stiegler and the Politics of Digitalization (Arthur Bradley) Part 6. Afterword 14. Interview with Bernard Vouilloux (Saint and Stafford) Index
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