Wrenched from the quiet life of a small-town scholar to the fast-growing treaty port of Shanghai, Wu Changshi rose to the forefront of the jinshi, or ""epigraphic"", movement in calligraphy and painting. This volume presents examples of this master's calligraphy and paintings, illustrated in full colour, along with scholarly discussions of his contribution to the development of ink painting in the modern world.
Wrenched from the quiet life of a small-town scholar to the fast-growing treaty port of Shanghai, Wu Changshi rose to the forefront of the jinshi, or ""epigraphic"", movement in calligraphy and painting. This volume presents examples of this master's calligraphy and paintings, illustrated in full colour, along with scholarly discussions of his contribution to the development of ink painting in the modern world.
Britta Erickson (Editor) Britta Erickson is an independent scholar and curator, who received a PhD in Chinese art history from Stanford University. She currently serves as artistic director at INK Studio, a Beijing gallery devoted to contemporary ink artists, and includes among her projects the production of a film series, The Enduring Passion for Ink.Craig Yee (Editor) Craig L. Yee, founding director of the art space INK Studio in Beijing, has played a central organizational and editorial role in research projects for exhibitions on Chinese painting, including New Songs on Ancient Tunes (Honolulu Academy of Arts), Selected Masterworks of Modern Chinese Painting (Central Academy of Fine Arts, Beijing), and Alternative Dreams (Los Angeles County Museum of Art). His research interests include the visual semiotics of ink art. He co-authored The Art of Qi Baishi and The Art of Xugu in The Mozhai Foundation's Modern Ink series and has published monographs on Zheng Chongbin and Chen Haiyan in the D.A.P. Contemporary Ink Series. He holds BA degrees in economics and symbolic systems and an MBA from Stanford University.
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