This all-in-one guide to printmaking techniques is a complete technical and inspirational book on the history and contemporary processes for relief, intaglio, lithography, serigraphy, mixed media/transfers and post digital graphics, with extended profiles of a wide range of contemporary printmakers.
This all-in-one guide to printmaking techniques is a complete technical and inspirational book on the history and contemporary processes for relief, intaglio, lithography, serigraphy, mixed media/transfers and post digital graphics, with extended profiles of a wide range of contemporary printmakers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
SYLVIE COVEY was born in France and studied graphic arts at the Ecole Nationale Superieure des Arts Decoratifs in Paris. She has taught digital and photo techniques in printmaking at the Fashion Institute of Technology in New York since 2001 and has been an instructor at the Art Students League of New York since 1995. Her work has been exhibited throughout Europe, Asia, and North and South America and has been acquired by major museums and institutions. She lives in New York City.
Inhaltsangabe
Foreword by Ira Goldberg vi Acknowledgments viii Introduction 1 Some Basic Terms and Definitions 2 About This Book 7 Part I: Relief Printmaking 1 Relief Printmaking Background and Basics 11 A Brief History 11 Western- versus Japanese-Style Relief Printing 18 2 Woodblock Printing 29 Equipment and Materials for Woodcuts 29 Reduction-Method Woodblock Printing 31 Western-Style Multiblock Woodcuts 43 Japanese-Style Multiblock Woodcuts (Ukiyo-e) 44 3 Linoleum Block Printing 49 Equipment and Materials for Linocuts 49 Single-Color (Black and White) Linocuts 50 Color Reduction Linocuts 53 Part II: Intaglio Printmaking 4 Intaglio Printmaking Background and Basics 61 A Brief History 65 Equipment and Materials 72 Preparing the Plate 77 5 Non-Acid Intaglio Techniques 81 Drypoint 82 Engraving 83 Mezzotint 87 6 Acid Intaglio Techniques 97 Hard Ground Etching 97 Soft Ground Etching 103 Aquatint 109 Acid-Resist Open Bite Etching 125 Embossing 129 Sugar Lift 132 7 Collography 137 8 Photo-Etching and Photogravure 143 Polymer Photo-Etching 143 Toner Transfer Photo-Etching 151 Polymer Photogravure 155 9 Printing Intaglio 159 Printing in Monochrome 159 Printing in Multiple Colors à la Poupée 162 Printing in Multiple Colors—Color Separation Method 163 Roll-up Viscosity Printing 163 Part III: Lithography And Serigraphy 10 Lithography 169 A Brief History 171 Equipment and Materials 177 Stone Lithography 181 Hand-Drawn Lithography on Aluminum 200 Photolithography 206 Pronto Polyester Lithography 214 Paper Lithography 221 11 Serigraphy 225 A Brief History 226 Equipment and Materials 228 Basic Screen Printing Techniques 230 Part IV: Chine-Collé, Mixed Media, and New Printmaking Techniques 12 Chine-Collé 239 13 Mixed Media 251 Richard Pitts 252 Jase Clark 256 Slavko Djuric 260 Shelley Thorstensen 264 Janet Millstein 268 Marcin Wlodarczyk 272 14 Digital Transfers 276 15 Post-Digital Graphics 285 Resources 296 For Further Reading 299 About the Author 301 Index 302
Foreword by Ira Goldberg vi Acknowledgments viii Introduction 1 Some Basic Terms and Definitions 2 About This Book 7 Part I: Relief Printmaking 1 Relief Printmaking Background and Basics 11 A Brief History 11 Western- versus Japanese-Style Relief Printing 18 2 Woodblock Printing 29 Equipment and Materials for Woodcuts 29 Reduction-Method Woodblock Printing 31 Western-Style Multiblock Woodcuts 43 Japanese-Style Multiblock Woodcuts (Ukiyo-e) 44 3 Linoleum Block Printing 49 Equipment and Materials for Linocuts 49 Single-Color (Black and White) Linocuts 50 Color Reduction Linocuts 53 Part II: Intaglio Printmaking 4 Intaglio Printmaking Background and Basics 61 A Brief History 65 Equipment and Materials 72 Preparing the Plate 77 5 Non-Acid Intaglio Techniques 81 Drypoint 82 Engraving 83 Mezzotint 87 6 Acid Intaglio Techniques 97 Hard Ground Etching 97 Soft Ground Etching 103 Aquatint 109 Acid-Resist Open Bite Etching 125 Embossing 129 Sugar Lift 132 7 Collography 137 8 Photo-Etching and Photogravure 143 Polymer Photo-Etching 143 Toner Transfer Photo-Etching 151 Polymer Photogravure 155 9 Printing Intaglio 159 Printing in Monochrome 159 Printing in Multiple Colors à la Poupée 162 Printing in Multiple Colors—Color Separation Method 163 Roll-up Viscosity Printing 163 Part III: Lithography And Serigraphy 10 Lithography 169 A Brief History 171 Equipment and Materials 177 Stone Lithography 181 Hand-Drawn Lithography on Aluminum 200 Photolithography 206 Pronto Polyester Lithography 214 Paper Lithography 221 11 Serigraphy 225 A Brief History 226 Equipment and Materials 228 Basic Screen Printing Techniques 230 Part IV: Chine-Collé, Mixed Media, and New Printmaking Techniques 12 Chine-Collé 239 13 Mixed Media 251 Richard Pitts 252 Jase Clark 256 Slavko Djuric 260 Shelley Thorstensen 264 Janet Millstein 268 Marcin Wlodarczyk 272 14 Digital Transfers 276 15 Post-Digital Graphics 285 Resources 296 For Further Reading 299 About the Author 301 Index 302
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