Modern Spanish Women as Agents of Change
Essays in Honor of Maryellen Bieder
Herausgeber: Smith, Jennifer
Modern Spanish Women as Agents of Change
Essays in Honor of Maryellen Bieder
Herausgeber: Smith, Jennifer
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Brings together research on modern Spanish women as writers, activists, and embodiments of cultural change. The essays are innovative in their consideration of lesser-known writers, focus on women as political activists, and use of post-colonialism, queer theory, and spatial theory to examine the period from the Enlightenment until World War II.
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Brings together research on modern Spanish women as writers, activists, and embodiments of cultural change. The essays are innovative in their consideration of lesser-known writers, focus on women as political activists, and use of post-colonialism, queer theory, and spatial theory to examine the period from the Enlightenment until World War II.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Bucknell University Press
- Seitenzahl: 248
- Erscheinungstermin: 14. Dezember 2018
- Englisch
- Abmessung: 226mm x 152mm x 20mm
- Gewicht: 340g
- ISBN-13: 9781684480326
- ISBN-10: 1684480329
- Artikelnr.: 53345222
- Verlag: Bucknell University Press
- Seitenzahl: 248
- Erscheinungstermin: 14. Dezember 2018
- Englisch
- Abmessung: 226mm x 152mm x 20mm
- Gewicht: 340g
- ISBN-13: 9781684480326
- ISBN-10: 1684480329
- Artikelnr.: 53345222
JENNIFER SMITH is an Associate Professor of Spanish and Interim Chair of the Department of Languages, Cultures, and International Trade at Southern Illinois University in Carbondale. She is the coeditor of Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture.
A Note on Translations … v
Introduction ... 1
Jennifer Smith
Part I: Modern Spanish Women Writers as Activists ... 26
One Gender, Race, and Subalternity in the Antislavery Plays of
María Rosa Gálvez and Faustina Sáez de Melgar ... 27
Akiko Tsuchiya
Two Forging Progressive Futures for Spain’s Women and People:
Sofía Tartilán (Palencia 1829-Madrid 1888) ... 55
Christine Arkinstall
Three Fashion as Feminism: Carmen de Burgos’s Ideas on Fashion in
Context ... 94
Roberta Johnson
Part II: Emilia Pardo Bazán as Literary Theorist and Cultural Critic ...
119
Four Pardo Bazán’s “Apuntes autobiográficos”and “El baile del
Querubín”: A Theoretical Reexamination ... 120
Susan M. McKenna
Five The Twice-Told and the Unsaid in Pardo Bazán’s “Presentido,”
“En coche-cama,” “Confidencia,” and “Madre” ... 147
Linda M. Willem
Six Emilia Pardo Bazán, Joris-Karl Huysmans, and Stories of
Conversion ... 175
Denise DuPont
Seven “A Most Promising Girl”: Gender and Artistic Future in Emilia
Pardo Bazán’s “La dama joven” ... 205
Margot Versteeg
Part III:Representations of Female Deviance ... 237
Eight A Woman’s Search for a Space of Her Own in Gertrudis Gómez de
Avellaneda's Dos mujeres ... 238
Rogelia Lily Ibarra
Nine Caterina Albert i Paradís: Writing, Solitude, and Woman’s
Jouissance, translated by Lourdes Albuixech... 261
Neus Carbonell
Ten The Obstinate Negativity of Ana Ozores ... 289
Jo Labanyi
Eleven Female Masculinity in La Regenta ... 307
Jennifer Smith
Afterword ... 333
Acknowledgments... 337
Bibliography ... 338
Index ... 373
About the Contributors ... 374
Introduction ... 1
Jennifer Smith
Part I: Modern Spanish Women Writers as Activists ... 26
One Gender, Race, and Subalternity in the Antislavery Plays of
María Rosa Gálvez and Faustina Sáez de Melgar ... 27
Akiko Tsuchiya
Two Forging Progressive Futures for Spain’s Women and People:
Sofía Tartilán (Palencia 1829-Madrid 1888) ... 55
Christine Arkinstall
Three Fashion as Feminism: Carmen de Burgos’s Ideas on Fashion in
Context ... 94
Roberta Johnson
Part II: Emilia Pardo Bazán as Literary Theorist and Cultural Critic ...
119
Four Pardo Bazán’s “Apuntes autobiográficos”and “El baile del
Querubín”: A Theoretical Reexamination ... 120
Susan M. McKenna
Five The Twice-Told and the Unsaid in Pardo Bazán’s “Presentido,”
“En coche-cama,” “Confidencia,” and “Madre” ... 147
Linda M. Willem
Six Emilia Pardo Bazán, Joris-Karl Huysmans, and Stories of
Conversion ... 175
Denise DuPont
Seven “A Most Promising Girl”: Gender and Artistic Future in Emilia
Pardo Bazán’s “La dama joven” ... 205
Margot Versteeg
Part III:Representations of Female Deviance ... 237
Eight A Woman’s Search for a Space of Her Own in Gertrudis Gómez de
Avellaneda's Dos mujeres ... 238
Rogelia Lily Ibarra
Nine Caterina Albert i Paradís: Writing, Solitude, and Woman’s
Jouissance, translated by Lourdes Albuixech... 261
Neus Carbonell
Ten The Obstinate Negativity of Ana Ozores ... 289
Jo Labanyi
Eleven Female Masculinity in La Regenta ... 307
Jennifer Smith
Afterword ... 333
Acknowledgments... 337
Bibliography ... 338
Index ... 373
About the Contributors ... 374
A Note on Translations … v
Introduction ... 1
Jennifer Smith
Part I: Modern Spanish Women Writers as Activists ... 26
One Gender, Race, and Subalternity in the Antislavery Plays of
María Rosa Gálvez and Faustina Sáez de Melgar ... 27
Akiko Tsuchiya
Two Forging Progressive Futures for Spain’s Women and People:
Sofía Tartilán (Palencia 1829-Madrid 1888) ... 55
Christine Arkinstall
Three Fashion as Feminism: Carmen de Burgos’s Ideas on Fashion in
Context ... 94
Roberta Johnson
Part II: Emilia Pardo Bazán as Literary Theorist and Cultural Critic ...
119
Four Pardo Bazán’s “Apuntes autobiográficos”and “El baile del
Querubín”: A Theoretical Reexamination ... 120
Susan M. McKenna
Five The Twice-Told and the Unsaid in Pardo Bazán’s “Presentido,”
“En coche-cama,” “Confidencia,” and “Madre” ... 147
Linda M. Willem
Six Emilia Pardo Bazán, Joris-Karl Huysmans, and Stories of
Conversion ... 175
Denise DuPont
Seven “A Most Promising Girl”: Gender and Artistic Future in Emilia
Pardo Bazán’s “La dama joven” ... 205
Margot Versteeg
Part III:Representations of Female Deviance ... 237
Eight A Woman’s Search for a Space of Her Own in Gertrudis Gómez de
Avellaneda's Dos mujeres ... 238
Rogelia Lily Ibarra
Nine Caterina Albert i Paradís: Writing, Solitude, and Woman’s
Jouissance, translated by Lourdes Albuixech... 261
Neus Carbonell
Ten The Obstinate Negativity of Ana Ozores ... 289
Jo Labanyi
Eleven Female Masculinity in La Regenta ... 307
Jennifer Smith
Afterword ... 333
Acknowledgments... 337
Bibliography ... 338
Index ... 373
About the Contributors ... 374
Introduction ... 1
Jennifer Smith
Part I: Modern Spanish Women Writers as Activists ... 26
One Gender, Race, and Subalternity in the Antislavery Plays of
María Rosa Gálvez and Faustina Sáez de Melgar ... 27
Akiko Tsuchiya
Two Forging Progressive Futures for Spain’s Women and People:
Sofía Tartilán (Palencia 1829-Madrid 1888) ... 55
Christine Arkinstall
Three Fashion as Feminism: Carmen de Burgos’s Ideas on Fashion in
Context ... 94
Roberta Johnson
Part II: Emilia Pardo Bazán as Literary Theorist and Cultural Critic ...
119
Four Pardo Bazán’s “Apuntes autobiográficos”and “El baile del
Querubín”: A Theoretical Reexamination ... 120
Susan M. McKenna
Five The Twice-Told and the Unsaid in Pardo Bazán’s “Presentido,”
“En coche-cama,” “Confidencia,” and “Madre” ... 147
Linda M. Willem
Six Emilia Pardo Bazán, Joris-Karl Huysmans, and Stories of
Conversion ... 175
Denise DuPont
Seven “A Most Promising Girl”: Gender and Artistic Future in Emilia
Pardo Bazán’s “La dama joven” ... 205
Margot Versteeg
Part III:Representations of Female Deviance ... 237
Eight A Woman’s Search for a Space of Her Own in Gertrudis Gómez de
Avellaneda's Dos mujeres ... 238
Rogelia Lily Ibarra
Nine Caterina Albert i Paradís: Writing, Solitude, and Woman’s
Jouissance, translated by Lourdes Albuixech... 261
Neus Carbonell
Ten The Obstinate Negativity of Ana Ozores ... 289
Jo Labanyi
Eleven Female Masculinity in La Regenta ... 307
Jennifer Smith
Afterword ... 333
Acknowledgments... 337
Bibliography ... 338
Index ... 373
About the Contributors ... 374