Brings together research on modern Spanish women as writers, activists, and embodiments of cultural change. The essays are innovative in their consideration of lesser-known writers, focus on women as political activists, and use of post-colonialism, queer theory, and spatial theory to examine the period from the Enlightenment until World War II.
Brings together research on modern Spanish women as writers, activists, and embodiments of cultural change. The essays are innovative in their consideration of lesser-known writers, focus on women as political activists, and use of post-colonialism, queer theory, and spatial theory to examine the period from the Enlightenment until World War II.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JENNIFER SMITH is an Associate Professor of Spanish and Interim Chair of the Department of Languages, Cultures, and International Trade at Southern Illinois University in Carbondale. She is the coeditor of Intersections of Race, Class, Gender, and Nation in Fin-de-Siècle Spanish Literature and Culture.
Inhaltsangabe
A Note on Translations … v Introduction ... 1 Jennifer Smith Part I: Modern Spanish Women Writers as Activists ... 26 One Gender, Race, and Subalternity in the Antislavery Plays of María Rosa Gálvez and Faustina Sáez de Melgar ... 27 Akiko Tsuchiya Two Forging Progressive Futures for Spain’s Women and People: Sofía Tartilán (Palencia 1829-Madrid 1888) ... 55 Christine Arkinstall Three Fashion as Feminism: Carmen de Burgos’s Ideas on Fashion in Context ... 94 Roberta Johnson Part II: Emilia Pardo Bazán as Literary Theorist and Cultural Critic ... 119 Four Pardo Bazán’s “Apuntes autobiográficos”and “El baile del Querubín”: A Theoretical Reexamination ... 120 Susan M. McKenna Five The Twice-Told and the Unsaid in Pardo Bazán’s “Presentido,” “En coche-cama,” “Confidencia,” and “Madre” ... 147 Linda M. Willem Six Emilia Pardo Bazán, Joris-Karl Huysmans, and Stories of Conversion ... 175 Denise DuPont Seven “A Most Promising Girl”: Gender and Artistic Future in Emilia Pardo Bazán’s “La dama joven” ... 205 Margot Versteeg Part III:Representations of Female Deviance ... 237 Eight A Woman’s Search for a Space of Her Own in Gertrudis Gómez de Avellaneda's Dos mujeres ... 238 Rogelia Lily Ibarra Nine Caterina Albert i Paradís: Writing, Solitude, and Woman’s Jouissance, translated by Lourdes Albuixech... 261 Neus Carbonell Ten The Obstinate Negativity of Ana Ozores ... 289 Jo Labanyi Eleven Female Masculinity in La Regenta ... 307 Jennifer Smith Afterword ... 333 Acknowledgments... 337 Bibliography ... 338 Index ... 373 About the Contributors ... 374
A Note on Translations … v Introduction ... 1 Jennifer Smith Part I: Modern Spanish Women Writers as Activists ... 26 One Gender, Race, and Subalternity in the Antislavery Plays of María Rosa Gálvez and Faustina Sáez de Melgar ... 27 Akiko Tsuchiya Two Forging Progressive Futures for Spain’s Women and People: Sofía Tartilán (Palencia 1829-Madrid 1888) ... 55 Christine Arkinstall Three Fashion as Feminism: Carmen de Burgos’s Ideas on Fashion in Context ... 94 Roberta Johnson Part II: Emilia Pardo Bazán as Literary Theorist and Cultural Critic ... 119 Four Pardo Bazán’s “Apuntes autobiográficos”and “El baile del Querubín”: A Theoretical Reexamination ... 120 Susan M. McKenna Five The Twice-Told and the Unsaid in Pardo Bazán’s “Presentido,” “En coche-cama,” “Confidencia,” and “Madre” ... 147 Linda M. Willem Six Emilia Pardo Bazán, Joris-Karl Huysmans, and Stories of Conversion ... 175 Denise DuPont Seven “A Most Promising Girl”: Gender and Artistic Future in Emilia Pardo Bazán’s “La dama joven” ... 205 Margot Versteeg Part III:Representations of Female Deviance ... 237 Eight A Woman’s Search for a Space of Her Own in Gertrudis Gómez de Avellaneda's Dos mujeres ... 238 Rogelia Lily Ibarra Nine Caterina Albert i Paradís: Writing, Solitude, and Woman’s Jouissance, translated by Lourdes Albuixech... 261 Neus Carbonell Ten The Obstinate Negativity of Ana Ozores ... 289 Jo Labanyi Eleven Female Masculinity in La Regenta ... 307 Jennifer Smith Afterword ... 333 Acknowledgments... 337 Bibliography ... 338 Index ... 373 About the Contributors ... 374
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