This anthology concentrates on the developments in dramatic theory over the last 150 years, examining its striking instability, the new concepts which have arisen in this century, and the seemingly outdated ones which have been resurrected. Including excerpts from a number of significant figures from the nineteenth and twentieth centuries, this book also makes available new and highly accurate translations of some of the better-known pieces from such writers as Emile Zola, Richard Wagner, and Yvan Goll. The anthology is accompanied by an extremely full bibliography of relevant works in English.…mehr
This anthology concentrates on the developments in dramatic theory over the last 150 years, examining its striking instability, the new concepts which have arisen in this century, and the seemingly outdated ones which have been resurrected. Including excerpts from a number of significant figures from the nineteenth and twentieth centuries, this book also makes available new and highly accurate translations of some of the better-known pieces from such writers as Emile Zola, Richard Wagner, and Yvan Goll. The anthology is accompanied by an extremely full bibliography of relevant works in English.
Part I: Introduction The Work of Art of the Future The Thirty-Six Dramatic Situations The Law of the Drama The Comic in Situations Melodrama For a Theatre of Situations Theatre Problems Theatre Without a Conscience Are There Universals of Performance in Myth, Ritual, and Drama? Part II: Varieties of Realism The Relationship of Dramatic Art to its Age and Allied Matters Naturalism Author's Preface to `Miss Julie' Against the Well-Made Play `Death of a Salesman': A Modern Tragedy? Part III: Anti-Naturalism The Tragical in Daily Life The Theatre Certain Nobel Plays of Japan On the Theatre: The Fairground Booth The Art of the Theatre: The First Dialogue Organic Unity Memoranda on Masks A Dramatist's Notebook Author's Note to `A Dream Play' On the Futility of the `Theatrical' in the Theatre Preface and Prologue to `The Breasts of Tiresias' Preface to Die Unsterblichen (`The Immortals') Preface to `Methusalem, The Eternal Bourgeois' The Futurist Synthetic Theatre On a New Type of Play The Theatre of Cruelty: First Manifesto An End to Masterpieces The Theatre's New Testament The Holy Theatre: Happenings The London Controversy: Tynan v. Ionesco Part IV: Political Theatre Letter to a Creative Collaborator The Programme of the Proletarian Theatre The Modern Theatre is the Epic Theatre A Short Organum for the Theatre The Material and the Models Poetics of the Oppressed Political Dynamics: The Feminisms Part V: Semiotics Dynamics of the Sign in the Theatre Semiotics of Theatrical Performance Psychic Polyphony The Signs of Stage and Screen Avant-Garde Theatre and Semiology: A Few Practices and the Theory Behind Them Select Bibliography Index
Part I: Introduction The Work of Art of the Future The Thirty-Six Dramatic Situations The Law of the Drama The Comic in Situations Melodrama For a Theatre of Situations Theatre Problems Theatre Without a Conscience Are There Universals of Performance in Myth, Ritual, and Drama? Part II: Varieties of Realism The Relationship of Dramatic Art to its Age and Allied Matters Naturalism Author's Preface to `Miss Julie' Against the Well-Made Play `Death of a Salesman': A Modern Tragedy? Part III: Anti-Naturalism The Tragical in Daily Life The Theatre Certain Nobel Plays of Japan On the Theatre: The Fairground Booth The Art of the Theatre: The First Dialogue Organic Unity Memoranda on Masks A Dramatist's Notebook Author's Note to `A Dream Play' On the Futility of the `Theatrical' in the Theatre Preface and Prologue to `The Breasts of Tiresias' Preface to Die Unsterblichen (`The Immortals') Preface to `Methusalem, The Eternal Bourgeois' The Futurist Synthetic Theatre On a New Type of Play The Theatre of Cruelty: First Manifesto An End to Masterpieces The Theatre's New Testament The Holy Theatre: Happenings The London Controversy: Tynan v. Ionesco Part IV: Political Theatre Letter to a Creative Collaborator The Programme of the Proletarian Theatre The Modern Theatre is the Epic Theatre A Short Organum for the Theatre The Material and the Models Poetics of the Oppressed Political Dynamics: The Feminisms Part V: Semiotics Dynamics of the Sign in the Theatre Semiotics of Theatrical Performance Psychic Polyphony The Signs of Stage and Screen Avant-Garde Theatre and Semiology: A Few Practices and the Theory Behind Them Select Bibliography Index
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