Modernism and Autobiography
Herausgeber: Dibattista, Maria; Wittman, Emily O
Modernism and Autobiography
Herausgeber: Dibattista, Maria; Wittman, Emily O
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This is the first book of its kind to address modernist autobiography in a comprehensive manner.
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This is the first book of its kind to address modernist autobiography in a comprehensive manner.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 318
- Erscheinungstermin: 15. September 2014
- Englisch
- Abmessung: 231mm x 150mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781107025226
- ISBN-10: 1107025222
- Artikelnr.: 41398291
- Verlag: Cambridge University Press
- Seitenzahl: 318
- Erscheinungstermin: 15. September 2014
- Englisch
- Abmessung: 231mm x 150mm x 25mm
- Gewicht: 454g
- ISBN-13: 9781107025226
- ISBN-10: 1107025222
- Artikelnr.: 41398291
Introduction Maria DiBattista and Emily O. Wittman; Part I. Ancestries: 1.
Edmund Gosse's Father and Son: a nervous history Francis O'Gorman; 2. The
'fascination of what I loathed': science and self in W. B. Yeats's
autobiographies Rónán McDonald; 3. Writing at sea: Conrad's Personal Record
of 'my life', and 'my two lives' Michael Levenson; 4. Two Henrys: James and
Adams as autobiographers Lee Mitchell; 5. Spaces of time: Virginia Woolf's
life-writing Elizabeth Abel; Part II. Emerging: 6. Travel writing as
modernist autobiography: Evelyn Waugh's Labels and the writing personality
Jonathan Greenberg; 7. Queer autobiographical masquerade: Stein, Toklas,
and others Barbara Will; 8. Elizabeth Bowen and modernist autobiography
Allan Hepburn; 9. 'Leaving the Territory': Ralph Ellison's backward glance
Marc Conner; Part III. Surviving: 10. Touching subliterate lives: Indian
soldiers, the Great War, and life-writing Santanu Das; 11. The last of
Katherine Mansfield Jay Dickson; 12. T. S. Eliot's impersonal
correspondence Max Saunders; 13. The real Hem Maria DiBattista; Part IV.
Disappearing: 14. 'Death Before the Fact': posthumous autobiography in Jean
Rhys's Good Morning, Midnight and Smile Please Emily O. Wittman; 15.
Abstraction, impersonality, abstraction Robert Caserio; 16. Name after
name: Beckett's secret autobiography Michael Wood.
Edmund Gosse's Father and Son: a nervous history Francis O'Gorman; 2. The
'fascination of what I loathed': science and self in W. B. Yeats's
autobiographies Rónán McDonald; 3. Writing at sea: Conrad's Personal Record
of 'my life', and 'my two lives' Michael Levenson; 4. Two Henrys: James and
Adams as autobiographers Lee Mitchell; 5. Spaces of time: Virginia Woolf's
life-writing Elizabeth Abel; Part II. Emerging: 6. Travel writing as
modernist autobiography: Evelyn Waugh's Labels and the writing personality
Jonathan Greenberg; 7. Queer autobiographical masquerade: Stein, Toklas,
and others Barbara Will; 8. Elizabeth Bowen and modernist autobiography
Allan Hepburn; 9. 'Leaving the Territory': Ralph Ellison's backward glance
Marc Conner; Part III. Surviving: 10. Touching subliterate lives: Indian
soldiers, the Great War, and life-writing Santanu Das; 11. The last of
Katherine Mansfield Jay Dickson; 12. T. S. Eliot's impersonal
correspondence Max Saunders; 13. The real Hem Maria DiBattista; Part IV.
Disappearing: 14. 'Death Before the Fact': posthumous autobiography in Jean
Rhys's Good Morning, Midnight and Smile Please Emily O. Wittman; 15.
Abstraction, impersonality, abstraction Robert Caserio; 16. Name after
name: Beckett's secret autobiography Michael Wood.
Introduction Maria DiBattista and Emily O. Wittman; Part I. Ancestries: 1.
Edmund Gosse's Father and Son: a nervous history Francis O'Gorman; 2. The
'fascination of what I loathed': science and self in W. B. Yeats's
autobiographies Rónán McDonald; 3. Writing at sea: Conrad's Personal Record
of 'my life', and 'my two lives' Michael Levenson; 4. Two Henrys: James and
Adams as autobiographers Lee Mitchell; 5. Spaces of time: Virginia Woolf's
life-writing Elizabeth Abel; Part II. Emerging: 6. Travel writing as
modernist autobiography: Evelyn Waugh's Labels and the writing personality
Jonathan Greenberg; 7. Queer autobiographical masquerade: Stein, Toklas,
and others Barbara Will; 8. Elizabeth Bowen and modernist autobiography
Allan Hepburn; 9. 'Leaving the Territory': Ralph Ellison's backward glance
Marc Conner; Part III. Surviving: 10. Touching subliterate lives: Indian
soldiers, the Great War, and life-writing Santanu Das; 11. The last of
Katherine Mansfield Jay Dickson; 12. T. S. Eliot's impersonal
correspondence Max Saunders; 13. The real Hem Maria DiBattista; Part IV.
Disappearing: 14. 'Death Before the Fact': posthumous autobiography in Jean
Rhys's Good Morning, Midnight and Smile Please Emily O. Wittman; 15.
Abstraction, impersonality, abstraction Robert Caserio; 16. Name after
name: Beckett's secret autobiography Michael Wood.
Edmund Gosse's Father and Son: a nervous history Francis O'Gorman; 2. The
'fascination of what I loathed': science and self in W. B. Yeats's
autobiographies Rónán McDonald; 3. Writing at sea: Conrad's Personal Record
of 'my life', and 'my two lives' Michael Levenson; 4. Two Henrys: James and
Adams as autobiographers Lee Mitchell; 5. Spaces of time: Virginia Woolf's
life-writing Elizabeth Abel; Part II. Emerging: 6. Travel writing as
modernist autobiography: Evelyn Waugh's Labels and the writing personality
Jonathan Greenberg; 7. Queer autobiographical masquerade: Stein, Toklas,
and others Barbara Will; 8. Elizabeth Bowen and modernist autobiography
Allan Hepburn; 9. 'Leaving the Territory': Ralph Ellison's backward glance
Marc Conner; Part III. Surviving: 10. Touching subliterate lives: Indian
soldiers, the Great War, and life-writing Santanu Das; 11. The last of
Katherine Mansfield Jay Dickson; 12. T. S. Eliot's impersonal
correspondence Max Saunders; 13. The real Hem Maria DiBattista; Part IV.
Disappearing: 14. 'Death Before the Fact': posthumous autobiography in Jean
Rhys's Good Morning, Midnight and Smile Please Emily O. Wittman; 15.
Abstraction, impersonality, abstraction Robert Caserio; 16. Name after
name: Beckett's secret autobiography Michael Wood.