A study of the performance and composition of early twentieth-century popular music in the context of 'high' modernism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ronald Schleifer is George Lynn Cross Research Professor of English and Adjunct Professor in Medicine at the University of Oklahoma.
Inhaltsangabe
Preface Introduction: popular music and the experience of modernism Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music 2. Twentieth-century modernism and 'jazz' music Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation 4. 'What is this thing called love?': Cole Porter and the rhythms of desire 5. Signifying music: Fats Waller and the time of jazz 6. Music without composition: Billie Holiday and ensemble performance Postscript: popular music and the revolution of the word Bibliography Index.
Preface Introduction: popular music and the experience of modernism Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music 2. Twentieth-century modernism and 'jazz' music Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation 4. 'What is this thing called love?': Cole Porter and the rhythms of desire 5. Signifying music: Fats Waller and the time of jazz 6. Music without composition: Billie Holiday and ensemble performance Postscript: popular music and the revolution of the word Bibliography Index.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
