By demonstrating that many of the concepts and styles associated with modernism were actually derived directly from cultures such as Japan, China, Korea, India, Egypt, Assyria, West Africa, and the Pacific Islands, this book provides an entirely new way of looking at the evolution of modernist art and literature in the West.
By demonstrating that many of the concepts and styles associated with modernism were actually derived directly from cultures such as Japan, China, Korea, India, Egypt, Assyria, West Africa, and the Pacific Islands, this book provides an entirely new way of looking at the evolution of modernist art and literature in the West.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Rupert Richard Arrowsmith grew up in Kenya, the Seychelles, and Cornwall in the Southwest of England. He has an MA from UCL, and completed his DPhil at Oxford University (Christ Church) in 2008. He has spent more than ten years studying and teaching in various parts of Asia - including long periods in Japan, Burma, Singapore, and India - and has previously lectured at Oxford and SOAS. His research focuses on transcultural tendencies in literature and visual art, particularly with regard to influences from Eastern and Southern Asia on global culture during the twentieth and twenty-first centuries.
Inhaltsangabe
* Introduction * 1: The Dead Hand of Athens: Jacob Epstein James Havard Thomas and Provincialism in European Art * 2: An Indian Temple on the Strand: Charles Holden Ananda Coomaraswamy and London's First Modernist Sculptures * 3: Haunting the Reading Room: Ezra Pound and the British Museum's Egyptian and Assyrian Collections * 4: Nineveh Amarna Kyoto: Gill Epstein Gaudier-Brzeska and the Direct Carving Revolution * 5: 'Little Japanese Pictures': Ezra Pound Laurence Binyon and the British Museum Print Room * 6: China in Whitechapel; Japan in Shepherd's Bush Aldington Ford Pound Fletcher and Lowell * 7: 'The More Serious Art that One Likes': T.E. Hulme Jacob Epstein and the Making of a Global Classicism * 8: 'The Benin Things are Fine Fine': The Art of Africa and the Pacific Islands The Art of Africa and the Pacific Islands The Art of Africa and the Pacific Islands in Pre-War London * 9: 'Kuanon of all Delights': Seven Lakes Eight Views and the Korean Goddess of The Cantos * Select Bibliography
* Introduction * 1: The Dead Hand of Athens: Jacob Epstein James Havard Thomas and Provincialism in European Art * 2: An Indian Temple on the Strand: Charles Holden Ananda Coomaraswamy and London's First Modernist Sculptures * 3: Haunting the Reading Room: Ezra Pound and the British Museum's Egyptian and Assyrian Collections * 4: Nineveh Amarna Kyoto: Gill Epstein Gaudier-Brzeska and the Direct Carving Revolution * 5: 'Little Japanese Pictures': Ezra Pound Laurence Binyon and the British Museum Print Room * 6: China in Whitechapel; Japan in Shepherd's Bush Aldington Ford Pound Fletcher and Lowell * 7: 'The More Serious Art that One Likes': T.E. Hulme Jacob Epstein and the Making of a Global Classicism * 8: 'The Benin Things are Fine Fine': The Art of Africa and the Pacific Islands The Art of Africa and the Pacific Islands The Art of Africa and the Pacific Islands in Pre-War London * 9: 'Kuanon of all Delights': Seven Lakes Eight Views and the Korean Goddess of The Cantos * Select Bibliography
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