Introduction: Imagined Jews and the shape of feminist modernism
1. 'Strip each statement of its money motive': Jews and the ideal of disinterested art in Warner, Rhys, and Woolf
2. Transformations of supersessionism in Woolf and Richardson
3. Adding bathrooms, fomenting revolutions: modernity and Jewishness in Woolf and Warner
4. The race must go on: gender, Jewishness, and racial continuity in Richardson and Barnes
5. The 'No time region': time, trauma, and Jewishness in Barnes and Rhys
6. Metatextual Jewishness: shaping feminist modernism
Bibliography.
