As early twentieth-century colonial expansion and industrialization helped connect corners of the world, modernist art sought to engage with ideas of different cultures without homogenizing their differences. This book offers new readings of key modernists like Joyce, Woolf, Eliot and Pound by situating their work within an early globalization moment.
As early twentieth-century colonial expansion and industrialization helped connect corners of the world, modernist art sought to engage with ideas of different cultures without homogenizing their differences. This book offers new readings of key modernists like Joyce, Woolf, Eliot and Pound by situating their work within an early globalization moment.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paul Stasi received his PhD from the University of California, Berkeley in 2006. He writes on twentieth-century Anglophone literature and has published articles on T. S. Eliot, James Joyce, Ezra Pound, Richard Flannagan and Jean Toomer. He currently teaches at the University of Albany.
Inhaltsangabe
Acknowledgments Introduction: imperial structures of feeling 1. The persistence of the past: modernism vs. imperial time 2. The Waste Land and the unreal center of capitalist modernity 3. Cosmopolitan kulchur: The Cantos as world literature 4. Turning production into consumption: Ulysses and the construction of postcolonial agency 5. 'Moments of pride in England': Virginia Woolf and the forms of national subjectivity Coda: the Edwardian lumber room Notes.
Acknowledgments Introduction: imperial structures of feeling 1. The persistence of the past: modernism vs. imperial time 2. The Waste Land and the unreal center of capitalist modernity 3. Cosmopolitan kulchur: The Cantos as world literature 4. Turning production into consumption: Ulysses and the construction of postcolonial agency 5. 'Moments of pride in England': Virginia Woolf and the forms of national subjectivity Coda: the Edwardian lumber room Notes.
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