Modernism in the Al-Husseinist Theatre - Al-Moosawi, Haider
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Modernism in the Al-Husseinist Theatre is, merely, a promising reconnoiter to prospect the literary heritage for paragons and epitomes man could emulate and guide himself into light, Asst. Prof. Haider Al-Moosawi, as per usual, broaches remedies to the modern man regardless of blood, race and colour in all the colours of the literary rainbow. On the nowadays archives there is no mention the orientalist chefs d`oeuvre tackling man as man, religion takes a pathway into the hearts of humanity and there is no compulsion in beliefs and doctrines: man is free in determining the course of life he…mehr

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Produktbeschreibung
Modernism in the Al-Husseinist Theatre is, merely, a promising reconnoiter to prospect the literary heritage for paragons and epitomes man could emulate and guide himself into light, Asst. Prof. Haider Al-Moosawi, as per usual, broaches remedies to the modern man regardless of blood, race and colour in all the colours of the literary rainbow. On the nowadays archives there is no mention the orientalist chefs d`oeuvre tackling man as man, religion takes a pathway into the hearts of humanity and there is no compulsion in beliefs and doctrines: man is free in determining the course of life he plunges into. As such literature in general and drama in particular manipulates such a propensity for pluralism and coexistence on the earth, no way to intimidate or traumatize a man whose breath desires to flutter from a chrysanthemum to another: literature is to spread the wings of the dreamers bound to virtues and principlism, have a glance at hearts in the your book palpitating withy all human traits we need in literature and life.
Autorenporträt
Dr. Haider Al-Moosawi is a professor of English Literature, modern verse drama, in the College of Education for Humanities at the University of Babylon. He taught at several universities and chaired several viva voces. During his career, he published 24 books. His book,¿ I Am that I Am in All Rigours¿ takes great attention and focus of the critics.