Using an approach to music informed by T. W. Adorno, this book examines the real-world, political significance of seemingly abstracted things like musical and literary forms.
Using an approach to music informed by T. W. Adorno, this book examines the real-world, political significance of seemingly abstracted things like musical and literary forms.
Gemma Moss is Senior Lecturer in English Literature at Birmingham City University. She has published on music in Ford Madox Ford, E. M. Forster, D. H. Lawrence and Virginia Woolf, and is editor of E. M. Forster's first novel Where Angels Fear to Tread for the Cambridge Edition of the Fiction of E. M. Forster, which is due for publication in 2024.
Inhaltsangabe
Acknowledgements Permissions List of Abbreviations and Editions Used in the Text List of Figures Preface Introduction 1. On music and modernism: philosophies, histories, approaches 2. James Joyce, Ulysses and the politics of musical form 3. Ezra Pound, music and fascism: towards Canto 75 4. Sylvia Townsend Warner, ideology and Marxist aesthetics 5. Music and twenty-first century modernism Bibliography Index
Acknowledgements Permissions List of Abbreviations and Editions Used in the Text List of Figures Preface Introduction 1. On music and modernism: philosophies, histories, approaches 2. James Joyce, Ulysses and the politics of musical form 3. Ezra Pound, music and fascism: towards Canto 75 4. Sylvia Townsend Warner, ideology and Marxist aesthetics 5. Music and twenty-first century modernism Bibliography Index
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