"Offering a fresh perspective on the cultural transition between Weimar- and National Socialist-era Germany, this interdisciplinary volume explores the fate of modernism following the censorship of the Nazi years. Presenting essays on architecture, painting, cabaret, typography, and commercial design, the volume explores how modern styles like New Vision photography, Dada, and Neue Sachlichkeit coexisted with established artistic modes and generated a productive tension that persisted during the Nazi era. Bridging photography, moving image, and painting, Aesthetics in Transition provides a…mehr
"Offering a fresh perspective on the cultural transition between Weimar- and National Socialist-era Germany, this interdisciplinary volume explores the fate of modernism following the censorship of the Nazi years. Presenting essays on architecture, painting, cabaret, typography, and commercial design, the volume explores how modern styles like New Vision photography, Dada, and Neue Sachlichkeit coexisted with established artistic modes and generated a productive tension that persisted during the Nazi era. Bridging photography, moving image, and painting, Aesthetics in Transition provides a deeper understanding of the complex interplay between tradition and modernity in early-20th-century Germany"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Deborah Ascher Barnstone is Professor and Head of Architecture at the University of Sydney, Australia. She is co-editor of the Visual Cultures and German Contexts series. Donna West Brett is Associate Professor and Chair of Art History at the University of Sydney, Australia. She is author of Photography and Place: Seeing and Not Seeing Germany After 1945 (2016); and co-editor with Natalya Lusty of Photography and Ontology: Unsettling Images (2019).
Inhaltsangabe
List of Illustrations Introduction 1. Shadow Schein and Scherenschnitte: Lotte Reiniger and the Silhouettes of Early Weimar Erin Maynes (Los Angeles County Museum of Art USA) 2. Cinema of the Underprivileged: Heinrich Zille's Influence on Weimar Street Film Andréas-Benjamin Seyfert (UCLA USA) 3. Moholy-Nagy: Shadows and Space-Time Donna West Brett (The University of Sydney Australia) 4. Female Sexuality Sex Research and the Visual Arts Birgit Lang and Eliza Coyle (The University of Melbourne Australia) 5. In Pursuit of Beauty: Manassé and Erotic Photography in the Weimar and Nazi Eras Camilla Smith (University of Birmingham UK) 6. Visual Diversity within Gleichschaltung? The Diffusion of 'New Typography' during the Interwar Period in Germany Patrick Rössler (University of Erfurt Germany) 7. The Case of Color in 1920s and 1930s German Architecture Deborah Ascher Barnstone (The University of Sydney Australia) 8. Altars to Ambition: The Triptych Revival in Late Weimar and National Socialist Germany Peter Chametzky (University of South Carolina USA) 9. Cabaret in Transition: Ilse Bois' Parodies Between the Times and Between the Genres Mila Ganeva (Miami University USA) 10. The Case of Breker: Sculpture Reception 1919 - 1943 Nina Lübbren (Anglia Ruskin University UK) 11. Flamboyantly Gay Jewish and Avant-garde: Alfred Flecthheim's Dealing with Transitional Aesthetics Transsexualities and Antisemitism Fae Brauer (University of East London Centre for Cultural Research UK) Index
List of Illustrations Introduction 1. Shadow Schein and Scherenschnitte: Lotte Reiniger and the Silhouettes of Early Weimar Erin Maynes (Los Angeles County Museum of Art USA) 2. Cinema of the Underprivileged: Heinrich Zille's Influence on Weimar Street Film Andréas-Benjamin Seyfert (UCLA USA) 3. Moholy-Nagy: Shadows and Space-Time Donna West Brett (The University of Sydney Australia) 4. Female Sexuality Sex Research and the Visual Arts Birgit Lang and Eliza Coyle (The University of Melbourne Australia) 5. In Pursuit of Beauty: Manassé and Erotic Photography in the Weimar and Nazi Eras Camilla Smith (University of Birmingham UK) 6. Visual Diversity within Gleichschaltung? The Diffusion of 'New Typography' during the Interwar Period in Germany Patrick Rössler (University of Erfurt Germany) 7. The Case of Color in 1920s and 1930s German Architecture Deborah Ascher Barnstone (The University of Sydney Australia) 8. Altars to Ambition: The Triptych Revival in Late Weimar and National Socialist Germany Peter Chametzky (University of South Carolina USA) 9. Cabaret in Transition: Ilse Bois' Parodies Between the Times and Between the Genres Mila Ganeva (Miami University USA) 10. The Case of Breker: Sculpture Reception 1919 - 1943 Nina Lübbren (Anglia Ruskin University UK) 11. Flamboyantly Gay Jewish and Avant-garde: Alfred Flecthheim's Dealing with Transitional Aesthetics Transsexualities and Antisemitism Fae Brauer (University of East London Centre for Cultural Research UK) Index
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