This book highlights that masquerade can be regarded as a distinct genre of performance activity that employs elements of the carnivalesque, circus, dance, gestural theatre and theatre of objects.
This book highlights that masquerade can be regarded as a distinct genre of performance activity that employs elements of the carnivalesque, circus, dance, gestural theatre and theatre of objects.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Edinburgh Critical Studies in Modernism, Drama and Performance
Ron J. Popenhagen is Professor of Visual Culture and Performance at California State University. He formerly lectured in Theatre at the University of Southern California and the Sydney University Conservatorium of Music. Dr Popenhagen is a specialist in Actor-Training, Mise en scène, Masks and Masquerade. He has published on French and Swiss actors, choreographers, directors, playwrights and scenographers, and also on Irish literature. Popenhagen has staged opera and theatre productions of Cocteau, Ionesco, Molière, Shakespeare and Wilde in Australia and the States. He has toured devised theatre projects to festivals in Adelaide, Ankara, Edinburgh, Houston, Los Angeles, Vancouver and Vilnius. Ron has written, devised and directed theatre projects for the Australian Theatre for Young People and toured 'Informances' for Young Audiences, Inc. to American cities.
Inhaltsangabe
Acknowledgements Introduction 1. Impressions of the Covered Body 2. Facing Change and Changing Masks 3. Re-formed and Uni-formed Bodies 4. Feigned and Distorted Bodyscapes 5. Actor-Effigies and Photo-Portraits 6. Fractured and Effaced Façades 7. Other Places Bibliography Index.
Acknowledgements Introduction 1. Impressions of the Covered Body 2. Facing Change and Changing Masks 3. Re-formed and Uni-formed Bodies 4. Feigned and Distorted Bodyscapes 5. Actor-Effigies and Photo-Portraits 6. Fractured and Effaced Façades 7. Other Places Bibliography Index.
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