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This volume argues that parody is central to modernism and shows that as a literary technique, parody was a means for modernists to learn their craft, sharpen their historical sense, and define themselves as post-Victorians.

Produktbeschreibung
This volume argues that parody is central to modernism and shows that as a literary technique, parody was a means for modernists to learn their craft, sharpen their historical sense, and define themselves as post-Victorians.
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Autorenporträt
Sarah Davison is Assistant Professor in English Literature at the University of Nottingham, where she is the Director of the Centre for Regional Literature and Culture. She is the author of Modernist Parody: Imitation, Origination, and Experimentation in Early Twentieth-Century Literature (Oxford, 2023) and Modernist Literatures: A Reader's Guide to Essential Criticism (Palgrave, 2014). She has published extensively on James Joyce's sources for the 'Oxen of the Sun' episode of Ulysses, as well as his relations to postmodernist authors. She has also published several articles and essays on writers such as Ezra Pound, Richard Aldington, Max Beerbohm, and Virginia Woolf.