Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer's taste or status.
Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer's taste or status.
Annie Holt is Assistant Professor in the Department of Humanities and Philosophy, University of Central Oklahoma, USA. Her research focuses on costume design and embodiment, including articles in Studies in Costume and Performance, Theatre and Performance Design, and Mime Journal.
Inhaltsangabe
Contents List of Images Acknowledgements Chapter 1 - Introduction: arguing costume design Chapter 2 - Material Truths: directors, historicism, and Shakespearean designs Chapter 3 - Frocks and Fictions: actresses, personae, and costume design Chapter 4 - Writing the Modern Body: the queerness of costume stage directions Chapter 5 - Life Imitates Art: couture, costumes, and commercialism Chapter 6 - Body as Art(ifact) or Machine: visual artists design for the Ballets Russes Chapter 7 - Postlude: designing modernism
Contents List of Images Acknowledgements Chapter 1 - Introduction: arguing costume design Chapter 2 - Material Truths: directors, historicism, and Shakespearean designs Chapter 3 - Frocks and Fictions: actresses, personae, and costume design Chapter 4 - Writing the Modern Body: the queerness of costume stage directions Chapter 5 - Life Imitates Art: couture, costumes, and commercialism Chapter 6 - Body as Art(ifact) or Machine: visual artists design for the Ballets Russes Chapter 7 - Postlude: designing modernism
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