Monstrous media/spectral subjects
Imaging Gothic from the nineteenth century to the present
Herausgeber: Botting, Fred; Spooner, Catherine
Monstrous media/spectral subjects
Imaging Gothic from the nineteenth century to the present
Herausgeber: Botting, Fred; Spooner, Catherine
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- Produkterinnerung
- Produkterinnerung
Explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present.
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Explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present.
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 192
- Erscheinungstermin: 1. Oktober 2017
- Englisch
- Abmessung: 216mm x 140mm x 11mm
- Gewicht: 249g
- ISBN-13: 9781526123039
- ISBN-10: 1526123037
- Artikelnr.: 47879909
- Verlag: Manchester University Press
- Seitenzahl: 192
- Erscheinungstermin: 1. Oktober 2017
- Englisch
- Abmessung: 216mm x 140mm x 11mm
- Gewicht: 249g
- ISBN-13: 9781526123039
- ISBN-10: 1526123037
- Artikelnr.: 47879909
Fred Botting is Professor in English at Kingston University Catherine Spooner is Senior Lecturer in English at Lancaster University
Introduction
Fred Botting and Catherine Spooner Part I: Between text and image 2: Gothic wars
media's lust: on the cultural afterlife of the war dead
Elisabeth Bronfen 3: Kingdom of shadows: fin
de
siècle gothic and early cinema
Paul Foster 4: 'A mirror with a memory': the development of the negative in Victorian gothic
Gregory Brophy 5: Modern phantasmagorias and visual culture in Wilkie Collins's Basil
Laurence Talairach
Vielmas Part II: Sounding spectres 6: 'The earth died screaming': Tom Waits's Bone Machine
Steen Christiansen 7: Ghosts of the Gristleized
Dean Lockwood Part III: Moving media 8: 'Nineteenth century (up
to
date) with a vengeance': vampirism, Victorianism and collage in Guy Maddin's Dracula
Pages from a Virgin's Diary
Dorothea Schuller 9: Spectrality and the deconstruction of the cinema in Neil Burger's The Illusionist and Steven Millhauser's short stories
Jean
François Baillon 10: Performing Fabulous Monsters: Re
inventing the gothic personae in bizarre magic
Nik Taylor and Stuart Nolan 11: Body genres, night vision and the female monster: REC and the contemporary horror film
Agnieszka Soltysik Monnet 12: You have been saved: digital memory and salvation
Stephen Curtis Index
Fred Botting and Catherine Spooner Part I: Between text and image 2: Gothic wars
media's lust: on the cultural afterlife of the war dead
Elisabeth Bronfen 3: Kingdom of shadows: fin
de
siècle gothic and early cinema
Paul Foster 4: 'A mirror with a memory': the development of the negative in Victorian gothic
Gregory Brophy 5: Modern phantasmagorias and visual culture in Wilkie Collins's Basil
Laurence Talairach
Vielmas Part II: Sounding spectres 6: 'The earth died screaming': Tom Waits's Bone Machine
Steen Christiansen 7: Ghosts of the Gristleized
Dean Lockwood Part III: Moving media 8: 'Nineteenth century (up
to
date) with a vengeance': vampirism, Victorianism and collage in Guy Maddin's Dracula
Pages from a Virgin's Diary
Dorothea Schuller 9: Spectrality and the deconstruction of the cinema in Neil Burger's The Illusionist and Steven Millhauser's short stories
Jean
François Baillon 10: Performing Fabulous Monsters: Re
inventing the gothic personae in bizarre magic
Nik Taylor and Stuart Nolan 11: Body genres, night vision and the female monster: REC and the contemporary horror film
Agnieszka Soltysik Monnet 12: You have been saved: digital memory and salvation
Stephen Curtis Index
Introduction
Fred Botting and Catherine Spooner Part I: Between text and image 2: Gothic wars
media's lust: on the cultural afterlife of the war dead
Elisabeth Bronfen 3: Kingdom of shadows: fin
de
siècle gothic and early cinema
Paul Foster 4: 'A mirror with a memory': the development of the negative in Victorian gothic
Gregory Brophy 5: Modern phantasmagorias and visual culture in Wilkie Collins's Basil
Laurence Talairach
Vielmas Part II: Sounding spectres 6: 'The earth died screaming': Tom Waits's Bone Machine
Steen Christiansen 7: Ghosts of the Gristleized
Dean Lockwood Part III: Moving media 8: 'Nineteenth century (up
to
date) with a vengeance': vampirism, Victorianism and collage in Guy Maddin's Dracula
Pages from a Virgin's Diary
Dorothea Schuller 9: Spectrality and the deconstruction of the cinema in Neil Burger's The Illusionist and Steven Millhauser's short stories
Jean
François Baillon 10: Performing Fabulous Monsters: Re
inventing the gothic personae in bizarre magic
Nik Taylor and Stuart Nolan 11: Body genres, night vision and the female monster: REC and the contemporary horror film
Agnieszka Soltysik Monnet 12: You have been saved: digital memory and salvation
Stephen Curtis Index
Fred Botting and Catherine Spooner Part I: Between text and image 2: Gothic wars
media's lust: on the cultural afterlife of the war dead
Elisabeth Bronfen 3: Kingdom of shadows: fin
de
siècle gothic and early cinema
Paul Foster 4: 'A mirror with a memory': the development of the negative in Victorian gothic
Gregory Brophy 5: Modern phantasmagorias and visual culture in Wilkie Collins's Basil
Laurence Talairach
Vielmas Part II: Sounding spectres 6: 'The earth died screaming': Tom Waits's Bone Machine
Steen Christiansen 7: Ghosts of the Gristleized
Dean Lockwood Part III: Moving media 8: 'Nineteenth century (up
to
date) with a vengeance': vampirism, Victorianism and collage in Guy Maddin's Dracula
Pages from a Virgin's Diary
Dorothea Schuller 9: Spectrality and the deconstruction of the cinema in Neil Burger's The Illusionist and Steven Millhauser's short stories
Jean
François Baillon 10: Performing Fabulous Monsters: Re
inventing the gothic personae in bizarre magic
Nik Taylor and Stuart Nolan 11: Body genres, night vision and the female monster: REC and the contemporary horror film
Agnieszka Soltysik Monnet 12: You have been saved: digital memory and salvation
Stephen Curtis Index