Robin L. Murray is a professor of English at Eastern Illinois University. Joseph K. Heumann is professor emeritus from the Department of Communication Studies at Eastern Illinois University. Murray and Heumann are coauthors of That’s All Folks?:¿Ecocritical Readings of American Animated Features (Nebraska, 2011) and Film¿and Everyday Eco-disasters ¿(Nebraska, 2014).f
Robin L. Murray is a professor of English at Eastern Illinois University. Joseph K. Heumann is professor emeritus from the Department of Communication Studies at Eastern Illinois University. Murray and Heumann are coauthors of That’s All Folks?:¿Ecocritical Readings of American Animated Features (Nebraska, 2011) and Film¿and Everyday Eco-disasters ¿(Nebraska, 2014).f
Robin L. Murray is a professor of English at Eastern Illinois University. Joseph K. Heumann is professor emeritus from the Department of Communication Studies at Eastern Illinois University. Murray and Heumann are coauthors of That’s All Folks?: Ecocritical Readings of American Animated Features (Nebraska, 2011) and Film and Everyday Eco-disasters (Nebraska, 2014).f
Inhaltsangabe
List of Illustrations Acknowledgments Introduction: Film, Environment, Horror Part 1: Anthropomorphism and the “Big Bug” Movie 1. The Hellstrom Chronicle and Beetle Queen Conquers Tokyo: Anthropomorphizing Nature for Humans 2. “As Beautiful as a Butterfly”? Monstrous Cockroach Nature and the Horror Film Part 2: Human Ecology and the Horror Film 3. The Earth Bites Back: Vampires and the Ecological Roots of Home 4. Through an Eco-lens of Childhood: Roberto Rossellini’s Germany Year Zero and Guillermo del Toro’s The Devil’s Backbone Part 3: Evolution and Monstrous Nature 5. Zombie Evolution: A New World with or without Humans 6. Laughter and the Eco-horror Film: The Troma Solution 7. Parasite Evolution in the Eco-horror Film: When the Host Becomes the Monster Part 4: Gendered Landscapes and Monstrous Bodies 8. Gendering the Cannibal: Bodies and Landscapes in Feminist Cannibal Movies 9. American Mary and Body Modification: Nature and the Art of Change Conclusion: Monstrous Nature and the New Cli-Fi Cinema Filmography Notes Works Cited Index
List of Illustrations Acknowledgments Introduction: Film, Environment, Horror Part 1: Anthropomorphism and the “Big Bug” Movie 1. The Hellstrom Chronicle and Beetle Queen Conquers Tokyo: Anthropomorphizing Nature for Humans 2. “As Beautiful as a Butterfly”? Monstrous Cockroach Nature and the Horror Film Part 2: Human Ecology and the Horror Film 3. The Earth Bites Back: Vampires and the Ecological Roots of Home 4. Through an Eco-lens of Childhood: Roberto Rossellini’s Germany Year Zero and Guillermo del Toro’s The Devil’s Backbone Part 3: Evolution and Monstrous Nature 5. Zombie Evolution: A New World with or without Humans 6. Laughter and the Eco-horror Film: The Troma Solution 7. Parasite Evolution in the Eco-horror Film: When the Host Becomes the Monster Part 4: Gendered Landscapes and Monstrous Bodies 8. Gendering the Cannibal: Bodies and Landscapes in Feminist Cannibal Movies 9. American Mary and Body Modification: Nature and the Art of Change Conclusion: Monstrous Nature and the New Cli-Fi Cinema Filmography Notes Works Cited Index
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