A beautiful hardcover Pocket Poets selection of the works of Nobel Prize-winning Italian poet Eugenio Montale, one of the giants of twentieth-century poetry. Eugenio Montale (1896-1981) is not only Italy's greatest modern poet but a towering figure in twentieth-century literature. His incandescently beautiful body of work is deeply rooted in the venerable lyric tradition that began with Dante, but he brilliantly reinvents that tradition for our time, probing the depths of love, death, faith, and philosophy in the bracing light of modern history. Dynamic innovation and a coiled, fierce energy…mehr
A beautiful hardcover Pocket Poets selection of the works of Nobel Prize-winning Italian poet Eugenio Montale, one of the giants of twentieth-century poetry. Eugenio Montale (1896-1981) is not only Italy's greatest modern poet but a towering figure in twentieth-century literature. His incandescently beautiful body of work is deeply rooted in the venerable lyric tradition that began with Dante, but he brilliantly reinvents that tradition for our time, probing the depths of love, death, faith, and philosophy in the bracing light of modern history. Dynamic innovation and a coiled, fierce energy fuel the poet's quest for liberation from the self. Marked by musicality and rhythmic variety, Montale's poems manage to be buoyant with allusion and metaphor while also densely studded with things-with concrete, elemental images that keep his complex and restless musings firmly tethered to the world. Montale's reputation is international and enduring; his widely translated work has profoundly influenced generations of poets around the world. This volume contains selections from all his greatest works, rendered into English by the accomplished poet and translator Jonathan Galassi. It serves as both an essential introduction to an important poet and a true pleasure for lovers of contemporaryHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
On the Threshold The Lemons English Horn Wind and Flags
from Cuttlefish Bones “‘Don’t ask us for the word . . .” “Sit the noon out . . .” “I think back on your smile . . .” “My life, I ask of you . . . “ “Bring me the sunflower . . .” “Often I’ve met . . .” “I know the moment when a raw grimace . . .” “Glory of expansive noon” “Happiness achieved . . .” “Maybe one morning . . .” “Your hand was trying the keyboard” “The well’s pulley creaks . . .” “Hoopoe, happy bird . . .” “Above the scribbled-over wall . . .”
Mediterranean “Racketing catcalls spiral down” “Ancient one . . .” “Sometimes, coming down . . .” “I’ve paused at times in the caves” “Now and then, suddenly” “We don’t know how we’ll turn out” “I would have liked to feel harsh and essential” “If at least I could force” “Dissolve if you will this frail”
Pool Eclogue Flux Slope Arsenio House by the Sea The Dead Delta Encounter
Seacoasts
From THE OCCASIONS (1928–1939)
The Balcony Lindau Autumn Quarries Gerti’s Carnival Near Capua To Liuba, Leaving Dora Markus Local Train
Motets “You know it: I must lose you again” “Many years, and one still harder” “Frost on the windowpanes . . .” “Distant, I was with you . . .” ‘Farewells, whistling in the dark . . .” ‘The hope of even seeing you again” ‘The white-and-black sine” “See the sign . . .” “The green lizard . . .” “What are you waiting for? . . .” “The spirit that dispenses” “I free your forehead . . . “ “The gondola that glides” “Is it salt that strafes . . .” “At first light . . .” “The flower that repeats” “The frog, first to strike his chord” “Shears, don’t cut away that face” “The reed that softly” “ . . . so be it. Blare of a cornet”
Times at Bellosguardo The House of the Customs Men Low Tide Stanzas Summer Correspondences Boats on the Marne Pico Farnese Elegy New Stanzas The Return Palio News from Mount Amiata
From THE STORM, ETC. (1940–1954)
The Storm Promenade Indian Serenade The Earrings Personae Separatae The Ark To My Mother From a Tower Ballad Written in a Hospital Where the Tennis Court Was . . . Visit to Fadin On the Greve A Metropolitan Christmas From the Train For an “Homage to Rimbaud” Incantation Iris In the Greenhouse The Garden The Hitler Spring Voice That Came with the Coots The Magnolia’s Shadow The Capercaillie The Eel “If they’ve compared you . . .” In an Album Anniversary Little Testament The Prisoner’s Dream
On the Threshold The Lemons English Horn Wind and Flags
from Cuttlefish Bones “‘Don’t ask us for the word . . .” “Sit the noon out . . .” “I think back on your smile . . .” “My life, I ask of you . . . “ “Bring me the sunflower . . .” “Often I’ve met . . .” “I know the moment when a raw grimace . . .” “Glory of expansive noon” “Happiness achieved . . .” “Maybe one morning . . .” “Your hand was trying the keyboard” “The well’s pulley creaks . . .” “Hoopoe, happy bird . . .” “Above the scribbled-over wall . . .”
Mediterranean “Racketing catcalls spiral down” “Ancient one . . .” “Sometimes, coming down . . .” “I’ve paused at times in the caves” “Now and then, suddenly” “We don’t know how we’ll turn out” “I would have liked to feel harsh and essential” “If at least I could force” “Dissolve if you will this frail”
Pool Eclogue Flux Slope Arsenio House by the Sea The Dead Delta Encounter
Seacoasts
From THE OCCASIONS (1928–1939)
The Balcony Lindau Autumn Quarries Gerti’s Carnival Near Capua To Liuba, Leaving Dora Markus Local Train
Motets “You know it: I must lose you again” “Many years, and one still harder” “Frost on the windowpanes . . .” “Distant, I was with you . . .” ‘Farewells, whistling in the dark . . .” ‘The hope of even seeing you again” ‘The white-and-black sine” “See the sign . . .” “The green lizard . . .” “What are you waiting for? . . .” “The spirit that dispenses” “I free your forehead . . . “ “The gondola that glides” “Is it salt that strafes . . .” “At first light . . .” “The flower that repeats” “The frog, first to strike his chord” “Shears, don’t cut away that face” “The reed that softly” “ . . . so be it. Blare of a cornet”
Times at Bellosguardo The House of the Customs Men Low Tide Stanzas Summer Correspondences Boats on the Marne Pico Farnese Elegy New Stanzas The Return Palio News from Mount Amiata
From THE STORM, ETC. (1940–1954)
The Storm Promenade Indian Serenade The Earrings Personae Separatae The Ark To My Mother From a Tower Ballad Written in a Hospital Where the Tennis Court Was . . . Visit to Fadin On the Greve A Metropolitan Christmas From the Train For an “Homage to Rimbaud” Incantation Iris In the Greenhouse The Garden The Hitler Spring Voice That Came with the Coots The Magnolia’s Shadow The Capercaillie The Eel “If they’ve compared you . . .” In an Album Anniversary Little Testament The Prisoner’s Dream
Appendix: Levantine Letter
Chronology Notes Acknowledgments
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