Integrating musical and poetic analysis, this book sheds new light on the experience of listening to Monteverdi's path-breaking madrigals. The music of this pivotal figure reveals how composers and performers at the turn of the seventeenth century not only responded to but themselves influenced experiments in language.
Integrating musical and poetic analysis, this book sheds new light on the experience of listening to Monteverdi's path-breaking madrigals. The music of this pivotal figure reveals how composers and performers at the turn of the seventeenth century not only responded to but themselves influenced experiments in language.
Roseen Giles is Assistant Professor of Music at Duke University. She is a specialist in the music of Claudio Monteverdi, and the author of numerous essays on early modern musical culture and the histories of music and literature.
Inhaltsangabe
Introduction: Monteverdi's Modes of Representation 1. The sound of the marvellous 2. Marino And the rime boscherecce 3. Monteverdi's contradictory kisses 4. Il bacio mordace: of kissing and biting 5. Tasso and the music of epic 6. Monteverdi's earliest laments.
Introduction: Monteverdi's Modes of Representation 1. The sound of the marvellous 2. Marino And the rime boscherecce 3. Monteverdi's contradictory kisses 4. Il bacio mordace: of kissing and biting 5. Tasso and the music of epic 6. Monteverdi's earliest laments.
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