192,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
  • Gebundenes Buch

This catalogue raisonnA(c) describes a little-known but very interesting collection originally assembled by one of the important Canadian collectors of the early 20th century. After an account of the collection's history and a brief discussion of the techniques of ancient glass-making, the catalogue proper presents 191 pieces comprising a very wide range of typical forms, each of them fully illustrated. Publishing this extensive collection renders it available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the…mehr

Produktbeschreibung
This catalogue raisonnA(c) describes a little-known but very interesting collection originally assembled by one of the important Canadian collectors of the early 20th century. After an account of the collection's history and a brief discussion of the techniques of ancient glass-making, the catalogue proper presents 191 pieces comprising a very wide range of typical forms, each of them fully illustrated. Publishing this extensive collection renders it available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. It is the first of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Beaudoin Caron D ès L (1986) in Roman history and archaeology, Université de Grenoble III, teaches Classical Archaeology and Roman History at the Université de Montréal. He has published mainly on Roman glass, as well as on other aspects of ancient material culture. Eléni P. Zoïtopoúlou Lic Phil (1973) in Classical Archaeology, Athens University, was a member of the Greek Antiquities' Service. Later, as honorary curator in the Ethnology section of the McGill University's Redpath Museum, she published widely on ancient terracotta pieces (lamps and statuettes).