Monty Python's Flying Circus - Landy, Marcia
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One of the most innovative comedic programs to air on television, Monty Python's Flying Circus was a mix of the carnivalesque and the critical. The show has become famous for eschewing many of the conventions of situation comedy, the fully formed and coherent script, narrative closure, predictable characters, and the decorum associated with presentation. Its curious transatlantic popularity defied the assumption that comedy is regional and exclusive, and the show's cult status still lives on in the United States and United Kingdom through reruns, videos, DVDs, and continual reappearances by…mehr

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Produktbeschreibung
One of the most innovative comedic programs to air on television, Monty Python's Flying Circus was a mix of the carnivalesque and the critical. The show has become famous for eschewing many of the conventions of situation comedy, the fully formed and coherent script, narrative closure, predictable characters, and the decorum associated with presentation. Its curious transatlantic popularity defied the assumption that comedy is regional and exclusive, and the show's cult status still lives on in the United States and United Kingdom through reruns, videos, DVDs, and continual reappearances by the show's now iconic stars. Most written accounts of Monty Python's Flying Circus focus solely on members of the Pythons, histories of the sketches, or the development of other Monty Python projects, leaving a dearth of scholarly and contextual analysis on the television show itself.
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Autorenporträt
Marcia Landy is Distinguished Service Professor of English and Film Studies at the University of Pittsburgh. She is author and editor of many books, most recently author of Italian Film (Cambridge, 2000) and co-editor of The Historical Film: History and Memory in Media (Rutgers University Press, 2001). She is also editor of Imitations of Life: A Reader on Film and Television Melodrama (Wayne State University Press, 1991).